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Creative Slumping – Drop Out Vase How-to

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Excerpt from Creative Slumping Webinar 

My favorite thing about glass fusing is its limitless possibilities. Beyond the basics, there are countless ways to work with this medium and get surprisingly unique results every time. There’s always something new to try and learn.

Another thing I love about glass is the three-dimensional aspect. We have the power to change the shape of our art and take it from flat to fabulous. Drop out molds are great props you can use to express your artistic flare in exciting, new creative ways.

What makes drop molds different?

When fused glass is slumped into a typical mold, we retain the original design unchanged but now with a gentle three-dimensional shape. Whereas the process of reshaping glass by allowing it to fall through the hole in a drop out ring changes and adds to the visual features of the design. As the glass drops through the ring the design elements blend and stretch which gives the illusion of movement in the finished project.

Drop Out Vase How-to

Drop-out-mold vases are tricky. Every kiln fires differently. The type of glass used and the way the project is assembled both affect the way the glass falls through the hole. Taking detailed notes is especially important if you want consistent results time-after-time.

Design Tip: As the glass falls through the mold it stretches. Because dropping glass adds detail to the pattern, I’ve found that when it comes to the vase design less is more. Keep the design simple. An over complicated pattern makes the vase look clumsy and heavy instead of graceful and light.

To make the glass. 

Cut five (5) 7-inch glass circles. Vary the design on the layers. Stack the 5 layers in the kiln on a primed or fiber covered shelf. Wrap the stacked glass with Thin Fire fiber paper and 1/8” thick fiber paper to maintain the desired thickness and shape during the fusing process. Hold the fiber paper ring in place with kiln posts.

Fire to a full fuse temperature using the guide below.

To Make the glass base and riser.

Base: Cut two 4-inch circles, one black glass, one clear dichroic glass. Stack and full fuse.

Riser: Cut two 1 ½ inch circles out of clear glass. Stack and full fuse.

 

Drop out mold set up. Picture114

The round, ceramic drop out mold is 9-inch-wide with a 5-inch-wide hole. Cover the mold top with 1/8-inch thick fiber paper. This keeps the glass from slipping off the mold as it drops. If handled carefully, the fiber paper can be reused over and over.

Support the mold with four, 5-inch-tall kiln posts. Cover the kiln bottom, below the glass with fiber paper.

Fire the glass to drop it through the mold using the firing guide below.

Kilns fire differently.

Test fire these guides. Take notes and make adjustments as needed.

Firing Guide – Full Fuse

Segment     Rate                Temp/Degrees            Hold/ Minutes

1                300                             1300                         60*

2                300                             1465                         10

3                9999**                        960                           40

4                500                             800                           10

5 Let cool to room temperature

*This hold prevents bubbles from forming between the glass and kiln shelf.

**As fast as possible.

Drop Ring

Segment      Rate                Temp/Degrees          Hold/Minutes

1                500                             1200                        30

2                200                             1300                        60***

***Peek at 30 minutes and again at 45 minutes to monitor the drop.

When the glass touches the fiber paper lined kiln bottom go to the next segment.

3                Flash Vent                 1000                          0

4                9999*                          960                          40

5                 500                             800                         10

6 Let cool to room temperature.

*9999, As fast as possible.

**These firing guides are for System 96. They work equally as well with other COEs

Cutting the rim.

Cut the rim off with the 2-inch EverRun Sintered Diamond Slitter and Dremel. Grind and polish the rim. Glue the vase on the riser and base with E6000 adhesive.

Supplies & Materials

5 glass circles cut to 7-inch across

9-inch round ceramic drop out ring with a 5 inch hole

5-inch kiln posts

1/8-inch thick fiber paper

Thin Fire fiber paper

Tools & Materials

2-inch EverRun Sintered Diamond Slitter

Available at: His Glassworks www.hisglassworks.com

Variable speed Dremel with flexible shaft

Water source

Holding Tray

Grinder

See how this vase is made on YouTube

https://www.youtube.com/watch?v=sThARy3e0V4

 Excerpt from Creative Slumping Webinar, November 19, 2019

https://www.glasspatterns.com/glass-patterns-quarterly-store/product/1240-creative-slumping-with-lisa-vogt-november-15-2018.html

Webinars are a wonderful way to stay connected to other fusers and keep the creative flow strong between hands-on workshops. In this webinar, I show you how to use materials you likely already have in innovative ways to make new and unique shapes. You’ll be amazed at how simple combinations can transform ordinary shapes into sculptural works of art. I hope you’ll join me for this fun and informative live event.

 Wherever you are in your artistic journey, you’re doing a great job! Bravo!

Happy fusing!
Lisa

Follow my blog for more tips and tricks!

YouTube http://www.youtube.com/watch?v=dhOifd7wukk
Facebook www.Facebook.com/LisaJVogt

Twitter https://twitter.com/lisajvogt

Instagram https://www.instagram.com/lvogt_originalsinglass/

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Upcoming Webinar

Want more ideas? Join me in this fun and informative LIVE event! 

Creative Slumping Webinar, November 19, 2019 https://www.glasspatterns.com/glass-patterns-quarterly-store/product/1240-creative-slumping-with-lisa-vogt-november-15-2018.html

Back by popular demand! Join me for my upcoming Creative Slumping Webinar. In this detailed Webinar, I’ll reshape the way you slump and drape glass. See how thinking outside the box and using readymade molds in new ways offers numerous and exciting opportunities to produce unique forms. You’ll also learn how to make your own graceful, free-form shaped molds from readily available materials with no laborious measuring or messy mixes needed.

Plus, there’s more…
We’ll take it one step further, I’ll show you how to use these different approaches, in combination, to transform ordinary projects into inspiring, sculptural pieces of art!

New for 2020

Are you a lifelong learner?

As a life-long learner myself, I know it sometimes takes a change of scenery, a challenging new educational experience and the encouragement of an experienced instructor to advance my skills and help me grow.

Are you ready to grow?

Interwoven

 NEW Fused Glass Sculpture, Webinar January 14, 2020 https://www.glasspatterns.com/glass-patterns-quarterly-store/product/1400-fused-glass-sculptures-made-easy-with-lisa-vogt-jan-14-2020.html

In this in-depth webinar, you’ll learn pro tips and tricks for better glass cutting. See how to mix different fusible materials to make more elaborate designs.

You’ll be amazed how using standard slumping molds in unique ways can drastically improve the shape of your art. You’ll be inspired by the innovative combination of ordinary techniques Lisa shares.

You’ll be confident to fuse glass after seeing how easy it is to load, program and fire a kiln. Best of all, you’ll have an exclusive technical advantage with the advanced understanding of Lisa’s dependable firing programs. And you’ll love the stunning three-dimensional results you can achieve by fusing all of these concepts together.

Beginner and advanced students alike will find inspiration, motivation and renewed artistic freedom from seeing the step-by-step construction of more than 5 sculptural projects in this webinar.

After this exciting webinar you’ll have the professional knowledge and increased confidence to incorporate these innovative methods in your new work. In addition, you’ll have a working knowledge of kiln operation, custom firing guides, and a deeper understanding of sculptural glass fusing fabrication.

2 Currents 

NEW CLASS DATE FOR 2020

Sculptural Fused Glass, 4-Day, Hands-on Workshop

February 18 – 21, 2020

Register www.lisavogt.net

Wesley Chapel, Florida, 4-Day, Hands-on, Class size is limited.

Here’s what the students are saying about the workshop.

“Lisa is very professional, knowledgeable and freakishly talented. House, art, mosaic, her work – really fun and beautiful.”   -Lorna

“Incredible class. Lisa shared her artistic knowledge of color flow and her technical knowledge of glass.”         -Larry

“I had so much fun! Lisa is a great teacher!”           -Brenda

This class is for you! Any skill level can attend. Beginner, intermediate and advanced students alike will learn how to advance their glass fusing skills and expand their artistic style.

In this class I’ll show you all the pro tips and tricks I use to make stunning 3-dimnesional art. You’ll learn how to combine advanced techniques in new ways to create extraordinary sculptural pieces of art.

You’ll leave class with several completed glass sculptures, my custom firing guides and a deeper understanding of sculptural fused glass fabrication. You’ll have the knowledge, confidence and inspiration you’ve been craving to take your artwork to the next level.

Materials are included, that’s a $150.00 value! Plus, a professional photo shot of your artwork is also included.

Let’s get together and fuse glass! This is the turning-point workshop you’ve been waiting for.

glass-logo-small

Get Ready for the Glass Craft & Bead Expo 2020!

Glass Craft & Bead Expo is the premier Art Glass and Bead Trade Show and Educational Conference. April 1 – April 5, 2020

Get more info here.

Meet me in Vegas! I’m teaching the following classes.

Fired Up! Fusing for the Adventurous

Painting with Frit

Breaking Through – Making Exhibition Quality Art

Sculptural Fused Glass Art

NEW Sculptural Fused Glass DESIGN Made Easy

People come from all over the world to take classes and view the show floor for all of the latest and most innovative products and services. Las Vegas has been home to the show with it being held for the past eleven (11) years at the South Point Hotel and Conference Center located at 9777 Las Vegas Blvd South.

Watch it NOW! Start fusing today!

Video covers - Copy

Downloadable instructional videos for every skill level.

Book covers

 Check out my eBooks for elegant patterns and detailed fusing instructions. 

Picture116

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Turkey Candle Shelter or Flower Vase How-To

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Let the festivities begin! Fall is a season for celebrating family, friends and feasting. At my house, the dining room table is the center of attention at this time of year. Accordingly, I like to decorate the table with a special piece of art that brings cheerful energy to our gatherings. This brightly colored turkey is the perfect adornment for such joyous occasions. It may look complicated, but it’s actually fast and easy to make.

To get started, cut out the paper pattern with scissors. To make the base, trace the turkey shape on clear glass with a marker. Cut as much of the clear glass as possible by hand. Use a glass saw to detail the inside cuts. The clear base layer can be made up of pieces if you don’t have access to a saw. Grind the clear glass to remove sharp edges and improve the shape.

36 GPQ Turkey Candle Shelter Vogt Fall 2018, 6 x 8.5

For the colorful design layer, cut the pattern up with scissors. Affix the paper pieces to the appropriate colored glass with a glue stick. Cut the pieces as closely to the paper as possible. Cut a second turkey body out of patterned dichroic on clear. Then grind the cut glass pieces to improve the shapes and remove any sharp edges.

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Place the clear base on a second pattern. Apply a small amount of fuser’s glue to the clear base and then assemble the colorful design layer on top. Stack the dichroic body on top. Allow the glue to dry until the pieces are secure. If you move to the next step too soon, the glass pieces will slide around when you apply the frit. This causes blurred edges that I feel distract from the design.

Using a spoon, pour a small amount of fine frit onto the turkey. Work the frit down into any gaps with a paint brush. This step gives the finished artwork nice added detail. I selected a complimentary yellow to highlight this bold color palate. When using this technique, I intentionally pick fine frit instead of powder. The excess fine frit is easier to clean off the surface of the project than powder which tends to stick.

13

Next add a dichroic dot for an eye and a yellow triangle for a beak. Now for a little bling. Nip wavy Firestrips to size and place them on the turkey’s feathers for a flashy zinger.

15

The assembled turkey is fused and then slumped over a barrel shaped mold. The slumped turkey is then glued to the front of the clear candle shelter. Colored fused glass strips cover the remainder of the clear candle shelter to give it a festive flare all the way around.

18

Using a strip cutter cut 16 strips total ½” wide, 5 7/8” long out of red, orange and green glass. Cut 16 strips of iridized clear the same size. Stack the clear iridized strips on the color strips.

Fuse the turkey and strips to a full fuse temperature using the guide below.

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Slump the fused turkey over the ceramic mold.

Glue the slumped turkey to the clear candle shelter with E6000 adhesive. Tape the fused glass to the clear shelter to ensure it doesn’t slide off. Let the glue dry overnight.

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Glue the fused glass strips to the remainder of the clear shelter. Tape them in place. Let the glue dry overnight.

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Double duty. This fancy turkey project can be used as a candle holder or a flower vase. Either way, it’s a beautiful seasonal addition to any décor.

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As seen in Glass Patterns Quarterly Fall 2018

GPQFall2018Cover354x459

Happy Holidays!

Lisa

Follow my blog for more tips and tricks!

YouTube http://www.youtube.com/watch?v=dhOifd7wukk
Facebook www.Facebook.com/LisaJVogt

Twitter https://twitter.com/lisajvogt

Instagram https://www.instagram.com/lvogt_originalsinglass/

Fusing Guide

Segment 1: Ramp 300 F/hr to 1300 and hold 30 min.

Segment 2: Ramp 500F/hr to 1465 and hold 10 min.

Segment 3: Ramp 9999(AFAP*) to 960 and hold 40 min.

Segment 4: Cool to room temperature.

*As fast as possible

Slumping Guide

Segment 1: Ramp 300 F/hr to 1265 and hold 10 min.

Segment 2: Ramp 9999(AFAP*) to 960 and hold 40 min.

Segment 3: Cool to room temperature.

*As fast as possible

NOTE: Kilns fire differently. Test fire these guides in your kiln and then make adjustments as needed.

Oceanside Spectrum System 96 Glass

100SF Clear for the turkey base layer, ½ Sq. Ft.

Oceanside Uroboros System 96 Glass

60-2700-96 Orange/Clear for turkey and strips, ½ Sq. Ft.

60-6120-96 Grenadine/Clear for turkey and strips, ½ Sq. Ft.

60-7550-96-4 Fern Green/Clear for strips, ¼ Sq. Ft.

61-00-96-IR-4 Clear Thin Iridized for strips, 1 Sq. Ft.

F2-2602-96-8 Yellow Opal Frit, Fine

CBS System 96 Dichroic Glass

Pebbles Pattern on Clear 4” x 4”

Wavy “Firestrips”, 2 – 14-inch-long pieces

Tools and Materials

Ceramic Slumping Mold 10 ½” x 9” x 4”

Clear Candle Shelter 6” Tall, 4” Wide, 12” Around

Fuser’s Glue, Marker, Glue Stick, E6000 Adhesive, Masking Tape

Pillar Candle or Flowers 

Upcoming Webinars and Classes

Picture116 

Creative Slumping Webinar

November 19, 2019

https://www.glasspatterns.com/glass-patterns-quarterly-store/product/1240-creative-slumping-with-lisa-vogt-november-15-2018.html

In this detailed Webinar, I’ll reshape the way you slump and drape glass. See how thinking outside the box and using readymade molds in new ways offers numerous and exciting opportunities to produce unique forms.    

You’ll learn how to make your own graceful, free-form shaped molds from readily available materials with no laborious measuring or messy mixes needed. Taking you one step further, I’ll show you how to use these different approaches, in combination, to transform ordinary projects into inspiring, sculptural pieces of art!

Fantasy

NEW Fused Glass Sculpture, Webinar January 14, 2020 https://www.glasspatterns.com/glass-patterns-quarterly-store/product/1400-fused-glass-sculptures-made-easy-with-lisa-vogt-jan-14-2020.html

In this in-depth webinar, you’ll learn pro tips and tricks for better glass cutting. See how to mix different fusible materials to make more elaborate designs.

You’ll be amazed how using standard slumping molds in unique ways can drastically improve the shape of your art. You’ll be inspired by the innovative combination of ordinary techniques Lisa shares.

You’ll be confident to fuse glass after seeing how easy it is to load, program and fire a kiln. Best of all, you’ll have an exclusive technical advantage with the advanced understanding of Lisa’s dependable firing programs. And you’ll love the stunning three-dimensional results you can achieve by fusing all of these concepts together.

Beginner and advanced students alike will find inspiration, motivation and renewed artistic freedom from seeing the step-by-step construction of more than 5 sculptural projects in this webinar.

After this exciting webinar you’ll have the professional knowledge and increased confidence to incorporate these innovative methods in your new work. In addition, you’ll have a working knowledge of kiln operation, custom firing guides, and a deeper understanding of sculptural glass fusing fabrication.

Shadow

NEW Fused Glass Sculpture Webinar, January 16, 2020 https://www.glasspatterns.com/glass-patterns-quarterly-store/product/1398-fused-glass-sculptures-made-easy-with-lisa-vogt-jan-16-2020.html

Description above.

Picture3

NEW CLASS DATE FOR 2020

Sculptural Fused Glass, 4-Day, Hands-on Workshop

February 18 – 21, 2020

Register www.lisavogt.net

Wesley Chapel, Florida, 4-Day, Hands-on, Class size is limited.

DSC_0345

Here’s what the students are saying about the workshop.

“Lisa is very professional, knowledgeable and freakishly talented. House, art, mosaic, her work – really fun and beautiful.”   -Lorna

“Incredible class. Lisa shared her artistic knowledge of color flow and her technical knowledge of glass.”         -Larry

“I had so much fun! Lisa is a great teacher!”           -Brenda

This class is for you! Any skill level can attend. Beginner, intermediate and advanced students alike will learn how to advance their glass fusing skills and expand their artistic style.

In this class I’ll show you all the pro tips and tricks I use to make stunning 3-dimnesional art. You’ll learn how to combine advanced techniques in new ways to create extraordinary sculptural pieces of art.

You’ll leave class with several completed glass sculptures, my custom firing guides and a deeper understanding of sculptural fused glass fabrication. You’ll have the knowledge, confidence and inspiration you’ve been craving to take your artwork to the next level.

Materials are included, that’s a $150.00 value! Plus, a professional photo shot of your artwork is also included.

Let’s get together and fuse glass! This is the turning-point workshop you’ve been waiting for.

glass-logo-small

Get Ready for the Glass Craft & Bead Expo 2020!

Glass Craft & Bead Expo is the premier Art Glass and Bead Trade Show and Educational Conference.

April 1 – April 5, 2020

Meet me in Vegas! I’m teaching the following classes.

Fired Up! Fusing for the Adventurous

Painting with Frit

Breaking Through – Making Exhibition Quality Art

Sculptural Fused Glass Art

NEW Sculptural Fused Glass DESIGN Made Easy

Get more info here.

People come from all over the world to take classes and view the show floor for all of the latest and most innovative products and services. Las Vegas has been home to the show with it being held for the past eleven (11) years at the South Point Hotel and Conference Center located at 9777 Las Vegas Blvd South.

We offer over 250 specialty classes in hot, warm and cold glass. Our instructors come from all over bringing all their expertise in their respective fields. Our show floor offers everything including the latest types and colors of glass, the most innovative kilns, tools and specialty items.

Watch it NOW! Start fusing today!

Video covers - Copy

Downloadable instructional videos for every skill level.

Book covers

Check out my eBooks for elegant patterns and detailed fusing instructions. 

31

 

 

 

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How to Use a Kiln and What to Do When Things Go Wrong

DSC_0497

Getting a new glass fusing kiln is very exciting. But it can also be a little scary to be responsible for your own firings. Students tell me all the time that they purchased a kiln weeks, months, even years ago and it’s still in the box! If you’re one of those tortured glass artists with a burning desire to fire glass, but the thought of being on your own sends icy chills down your spine, this is the nudge you’ve been waiting for.

I’m here to help.

Let me start by saying, you will have varying results. That’s okay. Initially, your goal is to build a relationship with your new equipment. You want to get to know how your particular kiln works and define the results you want to achieve. Yes, it takes a few test firings. Yes, you will ruin some glass. The great news is you will definitely learn something valuable from every firing. And you’ll gain experience while building confidence. It’s a win, win. Now, open that box and set your kiln up. This is going to be fun!

For those of you who are already making awesome projects, you’re likely wondering why I chose this entry-level topic, knowing most of you have experience. A lot of fusers rely on studios and workshops to fire their glass. In those situations, you’re not directly involved with kiln operation. This article will give you insight into what you’re missing.

If you are firing your own artwork, good for you. Consider this a refresher course on kiln operation. I firmly believe that we can all benefit from other artist’s experience. We’re inclined to absorb information, even information we’re already familiar with, at every stage of our artistic growth. The following guides might clarify techniques you’re already using. Or they may shed light on new methods worth trying.

Setting up your new kiln.

Safety is extremely important! Remember, you’ll be firing glass at high temperatures and you don’t want to create a fire hazard. Reference the owner’s manual and follow the manufacturer’s suggestions on where to place your kiln. They’ll offer recommendations on the type of flooring your kiln should rest on, as well as distance-from-the-wall measurements. Set your kiln up accordingly.

Carefully vacuum the inside of your kiln to remove any material that might have come lose during shipping. Then coat the kiln bottom, inside the firing chamber with kiln wash or shelf primer. Follow the directions on the kiln wash container and apply two or three even coats. This preventive step will protect the kiln floor if glass accidentally ends up on the bottom. If you have a new kiln shelf, you’ll want to coat it with kiln wash as well. Let the shelf dry completely before using it. Then plug your kiln in, and let the firing begin.

DSCN3823

Test firing your new kiln.

I recommend making a quick, easy project to test the firing temperature and effect that temperature has on your glass. For fast results, you can fire two layers of scrap glass together. Personally, that overly simplified approach causes my artistic soul pain. I like to make something with every firing. So, I came up with a very simple project that I was willing to risk coming out poorly, for the sake of getting to know how my new kiln fired.

DSCN3824

But first, a little bit about project assembly.

How projects are assembled has a direct effect on the durability and, “look” of the finished piece. Most of my projects are assembled using two full layers of glass.

Glass seeks a level of ¼ inch thick when it’s heated to the full fuse temperature of 1465 degrees. (I’m using COE 96, but this temperature works equally as well on COE 90.) By assembling with two layers of glass, I maintain control over the size and shape of my finished piece.

Fusing one layer of glass will cause the project to shrink. And it will have a fragile, sharp, irregular edge. While fusing three layers of glass will result in the project growing in size, which changes the original shape considerably.

Since two layers is my go-to type of assembly, I made my test piece with this fabrication method. If your go-to is a different type of assembly, you’ll want to duplicate that for your test piece.

I cut a 6 inch by 6 inch square of white glass for the base of my project. Then I cut a 6 inch by 6 inch square of transparent color to stack on the white base. This simple combination was too plain for my artsy heart to handle. So, I used plastic stencils to give the plain glass a little pizazz. I quickly sifted green opal, powder frit on the white base layer. I added yellow opal, powder frit to the top color layer giving the project a subtle pattern. On the white base layer, I used a leaf pattern stencil. On the color layer, I used a flower pattern stencil to create delicate variations on the two layers. I intentionally applied in a higher concentration of frit on the left side of the base layer. On the color layer, I applied a higher concentration of frit on the right side. This way, you’d see each pattern independently and the two patterns overlapping in the middle of the square.

DSCN3677

Loading your new kiln.

Place 3 or 4 short kiln posts on the floor of the kiln. Position the primed, or fiber paper lined, ceramic kiln shelf on the posts. Placing the ceramic shelf on posts makes it easier to load and unload the shelf. It also allows air to circulate around the shelf when the kiln is firing.

Important note about the position of your kiln shelf inside your kiln.

I use short posts on purpose to make sure the ceramic kiln shelf is positioned low inside the kiln. The posts are necessary for air flow around the ceramic shelf, so don’t skip them. But we also want to keep the glass project, assembled on the shelf to be as far away from the heating coils, in the lid as possible. You want a minimum of 5 to 6 inches between the glass project and the heating coils. If the glass is too close to the coils the glass can break due to thermal shock which is a result of heating too quickly.

DSCN3843

The same applies for slumping molds.

It’s important to apply this same idea when placing a fused project on a slumping mold. In my smaller kilns, I remove the kiln shelf and place the slumping mold directly on the kiln floor to ensure that the glass is as far away from the heating coils as possible.

Be careful not to bump or bend the probe inside the kiln when loading the kiln shelf. The probe is a thermocouple that transmits the interior temperature of your kiln to the kiln’s controller.

Fiber board kiln shelves are different.

I place fiber board kiln shelves directly on the floor of my kilns without using any kiln posts. The fiber material is porous. Therefore, air circulates through the shelf ensuring even heating.

Glass fusing test fire.

I fired the assembled glass to a full fuse temperature on a primed ceramic kiln shelf. I used Auto Mode and the preset Full Fuse program in my Firebox 14 kiln controller. I was happy with the results.

Characteristics of a terrific full fuse firing.

The fused glass retained its square shape and original size of 6 inch by 6 inch. It also had uniform thickness, smooth surface, rounded edges and a clean back side. The frit design details melted into the top layer giving the project a shiny, smooth surface.

Characteristics of an under-fired full fuse firing.  

An under-fired project will retain its square shape and its original size of 6 inch by 6 inch. The edges are hard, angular and sometimes sharp. Since the two layers are not completely fused together, a seam may appear on the edge showing how the layers were stacked. The back side of the project is clean and smooth. Design details, like frit may have texture and might not be fully melted into the top layer.

The solution to an under-fired project is to re-fire it a little hotter. To get more heat results, I usually add ten degrees to the target temperature. The target temperature is the temperature that gives you the desired results.

For full fuse results I fire the glass to 1465 degrees and hold it there for ten minutes. For tack fuse results I fire the glass to 1365 degrees and hold it there for 10 minutes. For slumping results, I fire the glass to 1265 degrees and hold it there for 10 minutes. (These temps are for COE 96 glass, but they will work equally as well in COE 90 glass.)

Characteristics of an over-fired full fuse firing.

An over-fired project will grow in size. The outside edges will round out. The glass will lose its square shape and be larger than the original 6 inch by 6 inch size. Kiln wash may stick to the backside and be difficult to remove. The design details, like frit will be completely fired in giving the project a smooth shiny surface.

The solution for an over-fired project might be to grind the edges to regain the square shape. Or you can remake and re-fire the project at a lower temperature.

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Glass slumping test fire.  

To test how my new kiln slumped glass I placed a square ceramic mold in the kiln and positioned the fused glass on top. Using the controller and Auto Mode I set the kiln firing speed to fast and the process to slump. I was happy with the results.

Characteristics of a successful slump.

A successfully slumped glass project conforms to the shape of the mold. It also retains a clean shape and height of the sides of the project.

Characteristics of an under-slumped project.

An under-slumped project does not conform to the mold. The glass project doesn’t have enough drop and so the piece is shallow. The piece may also wobble on the table because it didn’t come in contact with the flat bottom of the mold like it should have.

The solution is to re-fire the glass in the mold and hold it at the target temperature a little longer than the first time. I usually add 10 minutes hold to the original program.

Characteristics of an over-slumped project.

An over-slumped project picks up a lot of texture from the mold. It also loses some of its shape because the sides slide down into the mold. The result is an uneven top edge or rim. The solution is to call it something new or remake the project.

DSCN3637

Tack fusing test.

For this test I made three sizes of fun glass nuggets. My intention was to use them to make an open-air bowl that looked like it was made out stones and pebbles. I cut a bunch of rounded shapes out a pretty amber glass. Then I cut complementary pieces out of clear glass. I capped the amber with the clear and fired the assemble glass to a full fuse temperature using the Auto Mode on my kiln. The pieces came out great.

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When things go wrong.

Then I arranged the glass nuggets and pebbles on a kiln shelf to make a circular design. The shelf and glass were placed in the kiln. Using the Auto Mode, I set kiln controller to tack the glass together. The finished project looked great until I picked it up.

The piece made out of glass stones fell apart in my hands!

I said a few choice words… Then I regrouped and figured out what went wrong.

This seemed like the perfect time to read the kiln’s Operating Manual. I looked up the Auto Mode firing temperatures. And there it was, the cause of the problem. In Auto Mode the kiln fired to 1325 degrees which is a great temperature for tacking glass pieces on top of each other. But it wasn’t enough heat to tack glass pieces next to each other and expect the project to be strong enough to support its own weight.

When doing this tack technique, I usually fire the glass to 1365 degrees. The solution was to enter my own program in the kiln controller and re-fire the glass to the hotter temperature. The Operating Manual had easy-to-follow directions on how to access the Pro Mode and enter my own custom firing program. It only took a few minutes to enter my program.

Fortunately, none of the nuggets or pebbles broke when the project fell apart. I was able to reassemble them and then re-fire them at a higher, hotter temperature.

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I then slumped the tacked piece to make a shallow bowl. The finished art was a beautiful success!

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Take notes.

I recommend taking notes on how you assemble your pieces and on your firing steps. This way you can easily reproduce your successes and learn from the pieces that didn’t come out as you expected.

Be brave. You can do it.

It takes a little time to become familiar with your new kiln. The good news is you’ll learn new and exciting things every step of the way. Don’t hesitate to jump in and start firing. No matter what your results are you’ll enjoy the creative process and making your own personalized pieces of art.

I believe in you!

Watch the video here: How to Use a Kiln and What to Do When Things Go Wrong https://www.youtube.com/watch?v=S99fV8Fs124

Happy fusing!

Lisa

Follow my blog for more tips and tricks!

YouTube http://www.youtube.com/watch?v=dhOifd7wukk
Facebook www.Facebook.com/LisaJVogt

Twitter https://twitter.com/lisajvogt

Instagram https://www.instagram.com/lvogt_originalsinglass/

Upcoming Webinars and Classes

IMG_7299

Creative Slumping Webinar

November 19, 2019

https://www.glasspatterns.com/glass-patterns-quarterly-store/product/1240-creative-slumping-with-lisa-vogt-november-15-2018.html

In this detailed Webinar, I’ll reshape the way you slump and drape glass. See how thinking outside the box and using readymade molds in new ways offers numerous and exciting opportunities to produce unique forms.    

You’ll learn how to make your own graceful, free-form shaped molds from readily available materials with no laborious measuring or messy mixes needed. Taking you one step further, I’ll show you how to use these different approaches, in combination, to transform ordinary projects into inspiring, sculptural pieces of art!

Shadow

NEW Fused Glass Sculpture, Webinar January 14, 2020 https://www.glasspatterns.com/glass-patterns-quarterly-store/product/1400-fused-glass-sculptures-made-easy-with-lisa-vogt-jan-14-2020.html

In this in-depth webinar, you’ll learn pro tips and tricks for better glass cutting. See how to mix different fusible materials to make more elaborate designs.

You’ll be amazed how using standard slumping molds in unique ways can drastically improve the shape of your art. You’ll be inspired by the innovative combination of ordinary techniques Lisa shares.

You’ll be confident to fuse glass after seeing how easy it is to load, program and fire a kiln. Best of all, you’ll have an exclusive technical advantage with the advanced understanding of Lisa’s dependable firing programs. And you’ll love the stunning three-dimensional results you can achieve by fusing all of these concepts together.

Beginner and advanced students alike will find inspiration, motivation and renewed artistic freedom from seeing the step-by-step construction of more than 5 sculptural projects in this webinar.

After this exciting webinar you’ll have the professional knowledge and increased confidence to incorporate these innovative methods in your new work. In addition, you’ll have a working knowledge of kiln operation, custom firing guides, and a deeper understanding of sculptural glass fusing fabrication.

Interwoven

NEW Fused Glass Sculpture Webinar, January 16, 2020 https://www.glasspatterns.com/glass-patterns-quarterly-store/product/1398-fused-glass-sculptures-made-easy-with-lisa-vogt-jan-16-2020.html

Description above.

2 Currents

NEW CLASS DATE FOR 2020

Sculptural Fused Glass, 4-Day, Hands-on Workshop

February 18 – 21, 2020

Register www.lisavogt.net

Wesley Chapel, Florida, 4-Day, Hands-on, Class size is limited.

Here’s what the students are saying about the workshop.

“Lisa is very professional, knowledgeable and freakishly talented. House, art, mosaic, her work – really fun and beautiful.”   -Lorna

“Incredible class. Lisa shared her artistic knowledge of color flow and her technical knowledge of glass.”       -Larry

“I had so much fun! Lisa is a great teacher!”      -Brenda

This class is for you! Any skill level can attend. Beginner, intermediate and advanced students alike will learn how to advance their glass fusing skills and expand their artistic style.

In this class I’ll show you all the pro tips and tricks I use to make stunning 3-dimnesional art. You’ll learn how to combine advanced techniques in new ways to create extraordinary sculptural pieces of art.

You’ll leave class with several completed glass sculptures, my custom firing guides and a deeper understanding of sculptural fused glass fabrication. You’ll have the knowledge, confidence and inspiration you’ve been craving to take your artwork to the next level.

Materials are included, that’s a $150.00 value! Plus, a professional photo shot of your artwork is also included.

Let’s get together and fuse glass! This is the turning-point workshop you’ve been waiting for.

glass-logo-small

Get Ready for the Glass Craft & Bead Expo 2020!

Glass Craft & Bead Expo is the premier Art Glass and Bead Trade Show and Educational Conference.

April 1 – April 5, 2020

Meet me in Vegas! I’m teaching the following classes.

Fired Up! Fusing for the Adventurous

Painting with Frit

Breaking Through – Making Exhibition Quality Art

Sculptural Fused Glass Art

NEW Sculptural Fused Glass DESIGN Made Easy

Get more info here.

People come from all over the world to take classes and view the show floor for all of the latest and most innovative products and services. Las Vegas has been home to the show with it being held for the past eleven (11) years at the South Point Hotel and Conference Center located at 9777 Las Vegas Blvd South.

We offer over 250 specialty classes in hot, warm and cold glass. Our instructors come from all over bringing all their expertise in their respective fields. Our show floor offers everything including the latest types and colors of glass, the most innovative kilns, tools and specialty items.

Watch it NOW! Start fusing today!

Video covers - Copy

Downloadable instructional videos for every skill level.  

Book covers

Check out my eBooks for elegant patterns and detailed fusing instructions. 

DSC_0497

 

Posted on Leave a comment

Learning Goes Both Ways

Interwoven

Inspiration is Here 

Wow! It was an amazing week in the glass studio. Last week I hosted my Sculptural Fused Glass Workshop. We enjoyed 4 incredible full days of creating. The students were awesome! They were excited about learning new techniques and eager to try new ideas.

This class was about producing multiple 3-D glass sculptures that reflected the individual artist’s personal style. To accomplish so many projects in the condensed time-frame I adopted a new accelerated lesson plan. It was a huge success! The students were thrilled with the upbeat pace of the class because it increased the number of projects they were able to make.

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On day one they designed, assembled and loaded four different, full-size pieces into the kilns. Plus, they applied different advanced techniques and new design concepts on each of the three pieces.

We kept the quickened pace up all week. The rate enabled the students to make an impressive number of advanced projects, plus custom glass bases. On day two, even I was stunned when I had to re-prime the 11 ceramic kiln shelves we used to fire projects.

Students favorite things about the class included: learning new techniques, making so many projects and my willingness to let them create as they saw fit.

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We had a few oops we had to overcome.

When working on so many complex projects there’s bound to be some construction issues that come up.

A student realized, before loading the glass in the kiln, that the iridized coating was face down on the flower petals she cut for a floral vase. We wanted the pretty iridized side to show on the outside of the art, not the inside. So, we rearranged the assembly. Instead of building on a clear glass base, we turned the petals over and capped them with the clear. Our results were different than originally planned but equally as nice. Where the iridized red peeked out from under the clear glass the vase rim had a satin shimmer. The variation in shine added detail that was visually attractive in the finished piece of art. Plus, it added a personalized touch to the artwork.

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Another student wanted to work with powder frit. His project was accidentally bumped after it was loaded in the kiln. The frit moved causing the pattern to be uneven. Luckily, we saw it before firing the glass. The fix was easy. We simply sifted more powder on top of the uneven pattern and then re-traced the design in the frit. In the end, the repair wasn’t noticeable at all. The piece came out beautifully.

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We had a few welcome surprises.

Students were surprised by the amount of glass we used, that they learned how to use saws and the enormous amount of projects completed.

While gluing one of the sculptures together a student and I struggled a bit to get the vertical glass propped up in the position we wanted. We thought we had it. But the next day the glue didn’t hold. Instead of being upright, the fused glass leaned to one side. It wasn’t our intention to make a piece that looked like that. But we decided, unanimously as a class, that we liked the new look. The upside is, we now have a brand new sculptural profile to make in the future.

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Even I learned a few things.

When working on this number of projects the variables and possibility for unexpected surprises are increased. The finished results aren’t always what we planned or expected.

I learned that I have to adjust the temperature on one of my kilns. My Free Flow fusing program was firing too hot. As a result, the kiln wash stuck to the back of the fused glass. The higher heat also increased the amount of texture on the back side which reduced the clarity and shine of the glass. Lowering the fusing temperature would increase the clarity and shine on the backside of the glass. The minor adjustment would improve the vividness of the finished pieces of art.

Predictability is an illusion. We like to think we’re in control, but sometimes things don’t go as expected. No matter how much you prepare, plan and practice, you have to be ready for a few glitches.

I’ve slumped over the same custom mold over a dozen times. I thought I knew what to expect. All the parameters were the same. We used the same type of glass, cut the same size, in the same kiln, using the same slumping program. What could possibly go wrong?

The glass didn’t slump! It refused to conform to the fiber blanket mold. I fired it again and held it longer. No luck. I fired it again and increased the temperature by 10 degrees and the hold by 10 minutes. The glass still hovered above the mold.

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Then it occurred to me in the middle of the night, when I do all of my major problem solving, maybe I forgot something. Yup, operator error. Sucks right! I didn’t line the fiber blanket with ThinFire fiber paper. It acts as a release that allows the glass to slide down into the mold. And that’s why taking notes is so important, even for seasoned professionals. Write it down and then consult your notes before firing. It saves time, money and frustration.

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Lastly, I think I enjoyed the photo shoot of the finished sculptures more than the students. To their credit, it was the end of the last day. They’d been working diligently, stretching their creative minds for 4 full days. It’s no wonder the students were tapped out. They put a lot of energy into making numerous awesome pieces in a short period of time. In total, the three students made more than 20 projects combined! The high res photos are evidence of the impressive work they did.

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They came as strangers but left as friends.

Taking a class here is more than just fusing glass. It’s also about building relationships with other glass artists who have similar ambitions, interests and obstacles. Being in class is about showing pictures of your finished work, talking about how to sell your art and sharing solutions to common problems we all have. It’s a real thrill for me to bring different artists together so we can connect and build lasting friendships.

It was a pleasure to work with this group. I was impressed how the students brought their own artistic style and favorite color palate to the projects. I really enjoyed helping them build on their individual strengths to take their artwork to a higher level of complexity.

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Wherever you are in your artistic journey you’re doing great! But we can all use a little inspiration now and then to re-spark our creative thinking and expand our skills. It’s artistically rejuvenating to give yourself the gift of knowledge, productivity and of course friendship.

Are you ready for a lift? Join me in my next Sculptural Fused Glass, 4-Day Workshop, February 18-21, 2020.

Here’s what the students are saying about the workshop.

“Lisa is very professional, knowledgeable and freakishly talented. House, art, mosaic, her work – really fun and beautiful.”   -Lorna

“Incredible class. Lisa shared her artistic knowledge of color flow and her technical knowledge of glass.”       -Larry

“I had so much fun! Lisa is a great teacher!”       -Brenda

I hope to see you in one of my classes or webinars soon.

Happy fusing!
Lisa

Follow my blog for more tips and tricks!

YouTube http://www.youtube.com/watch?v=dhOifd7wukk
Facebook www.Facebook.com/LisaJVogt

Twitter https://twitter.com/lisajvogt

Instagram https://www.instagram.com/lvogt_originalsinglass/

Upcoming Webinars and Classes

IMG_7299

 Creative Slumping Webinar

November 19, 2019

https://www.glasspatterns.com/glass-patterns-quarterly-store/product/1240-creative-slumping-with-lisa-vogt-november-15-2018.html

In this detailed Webinar, I’ll reshape the way you slump and drape glass. See how thinking outside the box and using readymade molds in new ways offers numerous and exciting opportunities to produce unique forms.    

You’ll learn how to make your own graceful, free-form shaped molds from readily available materials with no laborious measuring or messy mixes needed. Taking you one step further, I’ll show you how to use these different approaches, in combination, to transform ordinary projects into inspiring, sculptural pieces of art!

Shadow

NEW Fused Glass Sculpture, Webinar January 14, 2020 https://www.glasspatterns.com/glass-patterns-quarterly-store/product/1400-fused-glass-sculptures-made-easy-with-lisa-vogt-jan-14-2020.html

In this in-depth webinar, you’ll learn pro tips and tricks for better glass cutting. See how to mix different fusible materials to make more elaborate designs.

You’ll be amazed how using standard slumping molds in unique ways can drastically improve the shape of your art. You’ll be inspired by the innovative combination of ordinary techniques Lisa shares.

You’ll be confident to fuse glass after seeing how easy it is to load, program and fire a kiln. Best of all, you’ll have an exclusive technical advantage with the advanced understanding of Lisa’s dependable firing programs. And you’ll love the stunning three-dimensional results you can achieve by fusing all of these concepts together.

Beginner and advanced students alike will find inspiration, motivation and renewed artistic freedom from seeing the step-by-step construction of more than 5 sculptural projects in this webinar.

After this exciting webinar you’ll have the professional knowledge and increased confidence to incorporate these innovative methods in your new work. In addition, you’ll have a working knowledge of kiln operation, custom firing guides, and a deeper understanding of sculptural glass fusing fabrication.

Flow

NEW Fused Glass Sculpture Webinar, January 16, 2020 https://www.glasspatterns.com/glass-patterns-quarterly-store/product/1398-fused-glass-sculptures-made-easy-with-lisa-vogt-jan-16-2020.html

Description above.

Picture3

NEW CLASS DATE FOR 2020

Sculptural Fused Glass, 4-Day, Hands-on Workshop

February 18 – 21, 2020

Register www.lisavogt.net

Wesley Chapel, Florida, 4-Day, Hands-on, Class size is limited.

This class is for you! Any skill level can attend. Beginner, intermediate and advanced students alike will learn how to advance their glass fusing skills and expand their artistic style.

In this class I’ll show you all the pro tips and tricks I use to make stunning 3-dimnesional art. You’ll learn how to combine advanced techniques in new ways to create extraordinary sculptural pieces of art.

You’ll leave class with several completed glass sculptures, my custom firing guides and a deeper understanding of sculptural fused glass fabrication. You’ll have the knowledge, confidence and inspiration you’ve been craving to take your artwork to the next level.

Materials are included, that’s a $150.00 value! Plus, a professional photo shot of your artwork is also included.

Let’s get together and fuse glass! This is the turning-point workshop you’ve been waiting for.

glass-logo-small

Get Ready for the Glass Craft & Bead Expo 2020!

Glass Craft & Bead Expo is the premier Art Glass and Bead Trade Show and Educational Conference.  April 1 – April 5, 2020

Meet me in Vegas! I’m teaching the following classes.

Fired Up! Fusing for the Adventurous

Painting with Frit

Breaking Through – Making Exhibition Quality Art

Sculptural Fused Glass Art

NEW Sculptural Fused Glass DESIGN Made Easy

Get more info here.

People come from all over the world to take classes and view the show floor for all of the latest and most innovative products and services. Las Vegas has been home to the show with it being held for the past eleven (11) years at the South Point Hotel and Conference Center located at 9777 Las Vegas Blvd South.

We offer over 250 specialty classes in hot, warm and cold glass. Our instructors come from all over bringing all their expertise in their respective fields. Our show floor offers everything including the latest types and colors of glass, the most innovative kilns, tools and specialty items.

Video covers - Copy

Watch it NOW! Start fusing today!

Downloadable instructional videos for every skill level.

Book covers

Check out my eBooks for elegant patterns and detailed fusing instructions. 

Interwoven

 

Posted on 2 Comments

What’s new in glass fusing? Skutt’s Touchscreen Controller and KilnLink App!

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Going High-Tech Never Looked So Good

Skutt has done it! Tech finally meets fine art. The Touchscreen Controller and KilnLink App are the ultimate kiln upgrades. With these innovative tools I have infinite control and limitless possibilities at my fingertips.

The Touchscreen Controller is the most ingenious kiln improvement imaginable. Right out of the box, I started firing glass with the easy to navigate, Guided Start firing programs that are test-proven by industry pros. I love the helpful and practical fusing tips that accompany every step of the Guided Start feature. They clarify the different firing processes giving the artist greater confidence. Plus, most screens include a help button for additional descriptions and suggestions.

 

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The Touchscreen Controller’s ease of use is amazing. To get started I press the Begin Here button on the Home screen. This takes me to a new screen with several options including Program. Selecting Program takes me to a screen with: Guided Start, GlassFire, Write New Program, My Programs and Library options. Guided Start leads you step-by-step to a program, by having you select firing options from a given list. It’s so easy, you choose the firing process and heating speed, based on the results you want to achieve and the size/thickness of the project. For more advanced projects, I select the GlassFire option. From there I can quickly customize a pre-set program by adjusting the number of segments, firing rates, and hold times. I use the Write New Program to enter my own custom programs into the controller. At any time, I can retrieve my saved programs with the My Programs option. It doesn’t get easier.

KilnLink App Image

I like the controller’s large, user-friendly display screen. While firing, it flashes the kiln’s status, temperature and the current stage of the firing process. The fun, color-coded display makes, at-a-glance monitoring easy. A flashing red dot indicates the kiln is firing and the temperature is over 125 degrees and too hot to open safely.  While a flashing blue dot shows the kilns internal temperature is under 125 degrees and it’ll soon be cool enough to open.

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An added visual of the Touchscreen Controller is the graph option which shows the current segment the kiln is in. While firing, I can view the estimated time remaining on the controller display which I use to manage the production time of commission artwork. At any time, I can press the details button to see the current segment, current temperature, target temperature, current rate and target rate of my firing.

There was no downtime. The Touchscreen Controller was fast and easy to install on my Clamshell kiln. The integration into my working production studio and active teaching facility was seamless. Following the well-organized preset prompts in the Write New Program menu option, I quickly entered my own custom firing programs into the controller. The stored programs are saved in My Programs for repeated access at which time I can adjust or change them as I see fit.

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The KilnLink App and Wi-Fi capability are the most innovative features of the Touchscreen Controller. With the app I can monitor my firing kiln on my smartphone anytime from anywhere. The app has a neat, easy to read display with different color screens that change in sync with the stages of the firing process. A gray colored screen indicates the kiln status is idle, orange means it’s firing, while green tells me the firing is complete and it shows the current internal temperature of my kiln. Fast, real-time updates on the app keep me connected to the firing as it happens. The KilnLink App shows me pertinent information about the firing. When my kiln is connected to Wi-Fi and online, I can see the following on my phone: the Program Name (FULL FUSE SMALL), the current Step (Hold 2 of 3), the Set Point (960 degrees), Hold Time remaining (12 min) and Firing Time (5hr 19 min).

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The Touchscreen Controller has impressive functionality. It’s extremely well thought out design offers me features I didn’t know I needed but am thrilled to have at my fingertips. The touchpad is responsive and easy to navigate. It has a wide range of options that give me creative flexibility, as well as confidence to try new advanced techniques.

Touchscreen Controller and KilnLink Apps ease of use, intuitive features and the flexibility of these new and improved tools have inspired new creative ideas for me. Modernizing my firing process gives me renewed artistic freedom to focus my attention on creating exciting new original art.

Fantasy

 

Start firing right away! The controller installation is fast and easy.

Don’t worry about installing your new controller. For easy-to-follow installation instructions visit Skutt’s website where you’ll find helpful videos and manuals. Simply visit Skutt’s website at www.SKUTT.com. Go to SUPPORT, INSTALLATION, Kiln Accessories.

Skutt Touchscreen Controller installation Directions

Resources include: KilnLink Overview and Installation Video with Jim Skutt, KilnLink Manual, KMT/GMT Upgrade Kit Installation Video and KMT/GMT Upgrade Installation Instructions.

The KilnLink Manual PDF walks you through the installation and setup of KilnLink. KilnLink Free App works in conjunction with the WiFi and allows you to monitor your kiln temperature and status from your smartphone.

There are lots of pictures in the printable Touchscreen Controller Upgrade (KMT/GMT) PDF so you can remove and change out the controller wires with confidence.

Shadow

We’ve streamlined and updated every other aspect of our lives. It’s a thrill to finally apply modern technology to creating our art. Innovation never looked so good!

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Check out my new video here: Skutt Touchscreen Controller and KilnLink App Installation and Operation

Happy fusing!

Lisa

Follow my blog for more tips and tricks!

YouTube http://www.youtube.com/watch?v=dhOifd7wukk
Facebook www.Facebook.com/LisaJVogt

Twitter https://twitter.com/lisajvogt

Instagram https://www.instagram.com/lvogt_originalsinglass/

Picture116

Creative Slumping Webinar

November 19, 2019

https://www.glasspatterns.com/glass-patterns-quarterly-store/product/1240-creative-slumping-with-lisa-vogt-november-15-2018.html

In this detailed Webinar, I’ll reshape the way you slump and drape glass. See how thinking outside the box and using readymade molds in new ways offers numerous and exciting opportunities to produce unique forms.    

You’ll learn how to make your own graceful, free-form shaped molds from readily available materials with no laborious measuring or messy mixes needed. Taking you one step further, I’ll show you how to use these different approaches, in combination, to transform ordinary projects into inspiring, sculptural pieces of art!

Interwoven

NEW Fused Glass Sculpture, Webinar January 14, 2020 https://www.glasspatterns.com/glass-patterns-quarterly-store/product/1400-fused-glass-sculptures-made-easy-with-lisa-vogt-jan-14-2020.html

In this in-depth webinar, you’ll learn pro tips and tricks for better glass cutting. See how to mix different fusible materials to make more elaborate designs.

You’ll be amazed how using standard slumping molds in unique ways can drastically improve the shape of your art. You’ll be inspired by the innovative combination of ordinary techniques Lisa shares.

You’ll be confident to fuse glass after seeing how easy it is to load, program and fire a kiln. Best of all, you’ll have an exclusive technical advantage with the advanced understanding of Lisa’s dependable firing programs. And you’ll love the stunning three-dimensional results you can achieve by fusing all of these concepts together.

Beginner and advanced students alike will find inspiration, motivation and renewed artistic freedom from seeing the step-by-step construction of more than 5 sculptural projects in this webinar.

After this exciting webinar you’ll have the professional knowledge and increased confidence to incorporate these innovative methods in your new work. In addition, you’ll have a working knowledge of kiln operation, custom firing guides, and a deeper understanding of sculptural glass fusing fabrication.

Flow

NEW Fused Glass Sculpture Webinar, January 16, 2020 https://www.glasspatterns.com/glass-patterns-quarterly-store/product/1398-fused-glass-sculptures-made-easy-with-lisa-vogt-jan-16-2020.html

Description above.

Picture1

NEW CLASS DATE FOR 2020

Sculptural Fused Glass, 4-Day, Hands-on Workshop

February 18 – 21, 2020

Register www.lisavogt.net

Wesley Chapel, Florida, 4-Day, Hands-on, Class size is limited.

This class is for you! Any skill level can attend. Beginner, intermediate and advanced students alike will learn how to advance their glass fusing skills and expand their artistic style.

In this class I’ll show you all the pro tips and tricks I use to make stunning 3-dimnesional art. You’ll learn how to combine advanced techniques in new ways to create extraordinary sculptural pieces of art.

You’ll leave class with several completed glass sculptures, my custom firing guides and a deeper understanding of sculptural fused glass fabrication. You’ll have the knowledge, confidence and inspiration you’ve been craving to take your artwork to the next level.

Materials are included, that’s a $150.00 value! Plus, a professional photo shot of your artwork is also included.

Let’s get together and fuse glass! This is the turning-point workshop you’ve been waiting for.

Video covers - Copy

Watch it NOW! Start fusing today!

Downloadable instructional videos for every skill level.

Book covers

Check out my eBooks for elegant patterns and detailed fusing instructions. 

DSC_0518 - Copy