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Turkey Candle Shelter or Flower Vase How-To

6” x 8.5”

Let the festivities begin! Fall is a season for celebrating family, friends and feasting. At my house, the dining room table is the center of attention at this time of year. Accordingly, I like to decorate the table with a special piece of art that brings cheerful energy to our gatherings. This brightly colored turkey is the perfect adornment for such joyous occasions. It may look complicated, but it’s actually fast and easy to make.

To get started, cut out the paper pattern with scissors. To make the base, trace the turkey shape on clear glass with a marker. Cut as much of the clear glass as possible by hand. Use a glass saw to detail the inside cuts. The clear base layer can be made up of pieces if you don’t have access to a saw. Grind the clear glass to remove sharp edges and improve the shape.

For the colorful design layer, cut the pattern up with scissors. Affix the paper pieces to the appropriate colored glass with a glue stick. Cut the pieces as closely to the paper as possible. Cut a second turkey body out of patterned dichroic on clear. Then grind the cut glass pieces to improve the shapes and remove any sharp edges.

Place the clear base on a second pattern. Apply a small amount of fuser’s glue to the clear base and then assemble the colorful design layer on top. Stack the dichroic body on top. Allow the glue to dry until the pieces are secure. If you move to the next step too soon, the glass pieces will slide around when you apply the frit. This causes blurred edges that I feel distract from the design.

Using a spoon, pour a small amount of fine frit onto the turkey. Work the frit down into any gaps with a paint brush. This step gives the finished artwork a nice added detail. I selected a complimentary yellow to highlight this bold color palate. When using this technique, I intentionally pick fine frit instead of powder. The excess fine frit is easier to clean off the surface of the project than powder which tends to stick.

Next add a dichroic dot for an eye and a yellow triangle for a beak. Now for a little bling. Nip wavy Firestrips to size and place them on the turkey’s feathers for a flashy zinger.

The assembled turkey is fused and then slumped over a barrel shaped mold. The slumped turkey is then glued to the front of the clear candle shelter. Colored fused glass strips cover the remainder of the clear candle shelter to give it a festive flare all the way around.

Using a strip cutter cut 16 strips total ½” wide, 5 7/8” long out of red, orange and green glass. Cut 16 strips of iridized clear the same size. Stack the clear iridized strips on the color strips.

Fuse the turkey and strips to a full fuse temperature using the guide below.

Slump the fused turkey over the ceramic mold.

Glue the slumped turkey to the clear candle shelter with E6000 adhesive. Tape the fused glass to the clear shelter to ensure it doesn’t slide off. Let the glue dry overnight.

Glue the fused glass strips to the remainder of the clear shelter. Tape them in place. Let the glue dry overnight.

Double duty. This fancy turkey project can be used as a candle holder or a flower vase. Either way, it’s a beautiful seasonal addition to any decor.

Turkey candle holder as seen in Glass Patterns Quarterly

Fusing Guide

Segment 1: Ramp 300 F/hr to 1300 and hold 30 min.

Segment 2: Ramp 500F/hr to 1465 and hold 10 min.

Segment 3: Ramp 9999(AFAP*) to 960 and hold 40 min.

Segment 4: Cool to room temperature.

*As fast as possible

Slumping Guide

Segment 1: Ramp 300 F/hr to 1265 and hold 10 min.

Segment 2: Ramp 9999(AFAP*) to 960 and hold 40 min.

Segment 3: Cool to room temperature.

*As fast as possible

NOTE: Kilns fire differently. Test fire these guides in your kiln and then make adjustments as needed.

Oceanside 96 Glass

100SF Clear for the turkey base layer, ½ Sq. Ft.

Oceanside 96 Glass

60-2700-96 Orange/Clear for turkey and strips, ½ Sq. Ft.

60-6120-96 Grenadine/Clear for turkey and strips, ½ Sq. Ft.

60-7550-96-4 Fern Green/Clear for strips, ¼ Sq. Ft.

61-00-96-IR-4 Clear Thin Iridized for strips, 1 Sq. Ft.

F2-2602-96-8 Yellow Opal Frit, Fine

CBS System 96 Dichroic Glass

Pebbles Pattern on Clear 4” x 4”

Wavy “Firestrips”, 2 – 14-inch-long pieces

Tools and Materials

Ceramic Slumping Mold 10 ½” x 9” x 4”

Clear Candle Shelter 6” Tall, 4” Wide, 12” Around

Fuser’s Glue, Marker, Glue Stick, E6000 Adhesive, Masking Tape

Pillar Candle or Flowers

Happy Thanksgiving!

Lisa & Niki

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Spooktacular Ghost Plate How-to

Halloween is one of my favorite holidays. I love the wide variety of fun designs we can make to decorate our homes with a seasonal flare. I like this particular plate for its free-form shape. The graceful curve around the ghost’s head make it jump off the counter. But, don’t let the unusual shape scare you. The subtle contours are actually easy to cut. And, you can always grind the edge to fine tune the shape. Let’s get started.  

How-to:

Cut a 10 inch clear circle for the base layer. Using the pattern as a guide, cut the clear glass circle to match the irregular pattern shape. Grind the glass to remove sharp edges and smooth the shape.

Cut white glass to match the clear base layer. Using a wet saw, cut the background around the ghost’s head and arms away.  

Pro Tip: No saw needed. If you don’t have a saw, the white ghost layer can be made up of pieces. OR Cut the white layer to match the clear base layer. Then make the shapes that outline the ghost’s head and arms just like the eyes and mouth, with cut navy blue glass. 

Tack glue the white layer onto the clear base with a small amount of fuser’s glue. Let the glue dry before moving to the next step. Gluing keeps the white glass from sliding around when you apply the frit.

Glue Tip: I like to use Elmer’s white glue. I apply the smallest amount of glue possible with the tip of a toothpick. The tiny, pin head size dots of glue burn off during firing without leaving a distracting haze between the glass layers. 

Cut the ghost’s eyes and mouth out of navy blue glass. Grind them to improve the shape. Set them aside.

Color Tip: When possible, I prefer to use dark, navy blue instead of black. Black creates a visual hole in the artwork. While the dark blue adds a nice tonal quality that gives the art a more interesting look.    

Cut the letters out of bright, seasonal colors. Grind the letters to smooth out the edges. Set them aside.

Once the glue holding the white layer in place is dry, apply the frit. Using a spoon, pour power navy blue frit into the spaces that outline the ghost’s head and arms. Leave enough room to add fine aventurine blue for shading. Next add fine, aventurine blue. Concentrate the darker color on the right side of the openings to create a moody shadow effect.

Using a small, dry paint brush clean any excess frit off the white glass. Be meticulous with your clean up. It’s this type of attention to detail that will make a huge difference in the visual quality of your finished pieces.     

Frit Tip: Pile the frit as high as the white glass that contains it. This gives the transparent material strong color saturation, which in turn produces the dramatic, high contrast effect we’re trying to achieve. If you ask yourself, is it enough, add more frit.

Stack the cut glass eyes and mouth on the white layer. Arrange the cut glass letters on the bottom in a semi-circle.

Fire the assembled project to a full fuse temperature using the guide available on my website.

Slump the fused project in a shallow plate mold using the guide available on my website.

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Lisa & Niki


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5 Fabulous Frit Techniques You’ll Love 

Except from my Painting with Frit Video.

Never underestimate the power of small!

Frit may be tiny, but make no mistake, this little powerhousecan make a huge, positive impact on your glass artwork. The beauty of frit is in its flexibility. I love to push that flexibility every chance I get. 

There are always several ways to approach any glass fusing project. But if you can incorporate frit of some sort into that project, you’ll have something unexpected that is unquestionably more engaging. And as self-serving as it is, we all want to dazzle people with our art. 

Next time you’re brainstorming how to build your project, consider replacing some or several design elements with frit. Play with different sizes; use mosaic, course, medium, fine and powder. Each size has its own unique visual characteristic that you will love after firing. Work with several shades of the same color such as light amber and medium amber to create a three-dimensional quality. Repeat the same color such as red in both transparent and opal glasses for greater contrast. 

Let’s dive in!

1 Go Overboard!

Strengthen your design by incorporating a subtle complimentary pattern in the background. When making the Flowering Tree, I cut a leafy tree limb stencil out of stiff paper. I then sifted soft green powders over the stencil to add the delicate woodland setting behind the flowering plant. The addition of the soft foliage unifies the overall project and makes it distinctly more appealing. The great thing about stenciling a design is that each piece you make will be slightly different and therefore each one has unique beauty.

2 Go Deeper!

Consider increasing the attraction of your work by repeating the same pattern on both the base layer and the top layer. Simply sift powders over a stencil on the base layer. Then turn the stencil ¼ turn and repeat the pattern on the second layer. Stack the layers to create a new, more elegant design. This quick little trick is a terrific way to increase visual depth and ramp up the sophistication of your artwork.  

3 Lighten Up!

Give your design a light source and you’ll have an immediate winner. With frit you can do it in a snap. Select frit in multiple shades of the same color. Use both transparent and opal versions of every color in your palette. Then gradually spread the frit working from light to dark. Blend the colors as you go for an even more engaging flow. This painterly technique rapidly transforms flat, lifeless images into lively three-dimensional masterpieces. 

4 Set the Mood!

Making a sherbet colored tropical sunset, a magical starry night or mysterious mist cloaked meadow is easy with frit. Think about how such enchanted places make you feel. Think about how they draw you in, tempt you to stay and make you wonder what hidden treasures wait for you just out of sight. Now take that feeling and make it tangible by mixing different colors of frit and you’ll create energetic settings that speaks out loud. 

Showing how to use frit to fill gaps.

5 Attention to Detail is Huge!

Next time your cut glass design doesn’t fit as accurately as you’d like, do what I do. Throw in a zinger. Fill that nasty crevice or inconvenient hole with frit in a color that contrasts the cut glass around it. No, you’re not fudging a mistake. You’re making something new, adding detail and highlighting the more important characteristics of your design.   

You Got This!

Frit may be small, but its applications are huge. Use it in small or even large doses and try new techniques for unlimited artistic possibilities. 

Except from my Painting with Frit Video.

Painting with Frit with Lisa Vogt Video

Want to learn more? Check out my Painting with Frit video.

Happy Fusing!

Lisa & Niki

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10 Tips for Better Glass Fusing Projects

1 Clean your glass before cutting it.

I use plain water and clean cotton towels. Avoid using cleaners or chemicals to clean your glass to prevent the introduction of contaminants that could react adversely with the glass.

2 Use the right tool for the job.

Streamline your project assembly, improve accuracy and reduce material waste with specialized tools. Use a strip cutter, circle cutter, wet saw and mosaic nippers when applicable for professional quality results.

3 Pick a color pallet and stick with it.

Be selective. Don’t use every crayon in the box. Choose a specific combination of glass colors to create an impactful design that shows an elevated level of sophistication and professionalism.   

4 Use high contrast colors.

Selecting bold colors adds energy and excitement to your artwork.

Tree of Tranquility by Lisa Vogt

5 Include a focal point.

A focal point can be subject, shape or color related. A recognizable and relatable subject draws the viewers’ attention and makes your art memorable.

6 Do your best work.

Accuracy matters. If you ask yourself, is this good enough? It’s not. Redo that part to make the most professional quality art you can. Spend the time to make sure your shapes are smooth, and your pieces fit together nicely.

Crystal Garden by Lisa Vogt

7 Design like a pro.

Assemble your projects to be both attractive and durable. Build your projects with two full layers of glass plus accents. This type of assembly ensures your project has uniform thickness throughout, smooth edge quality and an overall attractive appearance.    

8 Take your time.

Don’t rush the firing process. If you’re in doubt, fire your glass slower to ensure your project is successful. No peeking! You know who you are. After firing, let the kiln cool to room temperature before opening the lid.

9 Slump your project.

Slump or drape your flat fused glass to give it an interesting shape and unique form that increases the visual intricacy and graceful presence of your art.

10 Get creative with your display.

Make it sculptural. Create an attractive display that enhances the artwork. Give it lift so light passes through and illuminates the design.   

You got this!

Apply these tips and see a dramatic improvement in the quality and attractiveness of your fused glass art.

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If you enjoy reading my blog, I have a feature on my website you’ll like. From the home page click on any page. On the side bar you can read my Top 10 Blog Posts. The list updates every 48 hours so check back often.

Happy Fusing!

Lisa & Niki

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How to Create Shadows and Shading

You’re wondering why is this subject important? You’ve likely had success working some element of shading into your pieces and that’s great. However, you may not know about the seldom discussed advanced techniques experienced artists use to produce more sophisticated compositions. With thoughtful planning, you can apply these simple techniques and drastically increase the richness of your work.      

When creating shading, it’s natural to reach for black frit or black glass. Black efficiently separates the foreground from the background. Black is also great for outlining your subject. However, there’s a better solution that adds richness to your scene.

When you use black to make shadows it creates a visual hole in your work. This void pulls the viewer’s attention away from your composition. For this reason, I use black as little as possible. I apply it with purpose for specific details in my designs. Instead of black, I use very dark blue, chocolate brown, deep purple or ruby red to make shadows in my pieces. I select the dark color that best suits the color scheme in my artwork. Using powerful high contrast colors adds velvety depth and an incredible richness to the setting.

How to create shadows with color.

Wine Glass as seen in my Simple Pleasures Video

Here I used dark blue to establish the linear details that translate into a grape vineyard behind the wine glass. The deep shadows the blue color creates, give the scene a relaxing late afternoon mood. The border is dark purple which mimics the color of grapes and wine.

Octopus Tray as seen in my Premium Video Membership

Here I used dark red to make shadows on the underside of the octopus tentacles. This application also makes the tentacle visually round and full. Dark red also worked beautifully to outline the octopus body and place it in front of the tentacles that curl behind its body. The only black in this piece is the eye detail.

Fairy tale Forest as seen in my Painting with Frit Video

There’s no black in this lush scene. The dark shadows in the trees and along the path are made with dark blue. The shadow cast on the woodland path is a combination of purple and dark amber frit. Get creative with your color combinations to build up dark recesses that make your highlighted details pop.

Winter Landscape as seen in the winter issue G.P.Q. Magazine Jan 2023

In this piece of art, black is limited to the lines on the tree trunks. I selected muted tones to create a quiet, calm, and relaxing setting. The shadow under the trees are created with medium purple frit. It simultaneously gave me depth and softness which I wanted to portray in this winter scene.

Welcome Fall as seen in my Premium Video Membership

When making this seasonal piece I wanted to maintain a warm yet rich color palette. I used a small amount black in the word welcome and in some of the letters that spell out FALL. When it came to adding shadows to the pumpkin, I used orange opal frit. The contrast is subtle but effective. I’m pleased with the stylized design and the inviting warmth it adds to my home.  

You got this!

Don’t worry about missing black. Once you substitute colors for black, you’ll love the effects you’re able to create. You’ll be amazed how switching to dark colors transforms your art and brings it to life.

Artists take what they see and make it new.

We take an ordinary scene and turn it into something new that reflects our sense of drama and whimsy. Using rich colors, instead of black, is a fabulous way to push designs in any direction you want to establish a personalized mood and tone. Give it a try. The possibilities are endless. You’re only limited by your imagination.

Watch the video here.

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Happy Fusing!

Lisa & Niki

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