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Spooktacular Ghost Plate How-to

Halloween is one of my favorite holidays. I love the wide variety of fun designs we can make to decorate our homes with a seasonal flare. I like this particular plate for its free-form shape. The graceful curve around the ghost’s head make it jump off the counter. But, don’t let the unusual shape scare you. The subtle contours are actually easy to cut. And, you can always grind the edge to fine tune the shape. Let’s get started.  

How-to:

Cut a 10 inch clear circle for the base layer. Using the pattern as a guide, cut the clear glass circle to match the irregular pattern shape. Grind the glass to remove sharp edges and smooth the shape.

Cut white glass to match the clear base layer. Using a wet saw, cut the background around the ghost’s head and arms away.  

Pro Tip: No saw needed. If you don’t have a saw, the white ghost layer can be made up of pieces. OR Cut the white layer to match the clear base layer. Then make the shapes that outline the ghost’s head and arms just like the eyes and mouth, with cut navy blue glass. 

Tack glue the white layer onto the clear base with a small amount of fuser’s glue. Let the glue dry before moving to the next step. Gluing keeps the white glass from sliding around when you apply the frit.

Glue Tip: I like to use Elmer’s white glue. I apply the smallest amount of glue possible with the tip of a toothpick. The tiny, pin head size dots of glue burn off during firing without leaving a distracting haze between the glass layers. 

Cut the ghost’s eyes and mouth out of navy blue glass. Grind them to improve the shape. Set them aside.

Color Tip: When possible, I prefer to use dark, navy blue instead of black. Black creates a visual hole in the artwork. While the dark blue adds a nice tonal quality that gives the art a more interesting look.    

Cut the letters out of bright, seasonal colors. Grind the letters to smooth out the edges. Set them aside.

Once the glue holding the white layer in place is dry, apply the frit. Using a spoon, pour power navy blue frit into the spaces that outline the ghost’s head and arms. Leave enough room to add fine aventurine blue for shading. Next add fine, aventurine blue. Concentrate the darker color on the right side of the openings to create a moody shadow effect.

Using a small, dry paint brush clean any excess frit off the white glass. Be meticulous with your clean up. It’s this type of attention to detail that will make a huge difference in the visual quality of your finished pieces.     

Frit Tip: Pile the frit as high as the white glass that contains it. This gives the transparent material strong color saturation, which in turn produces the dramatic, high contrast effect we’re trying to achieve. If you ask yourself, is it enough, add more frit.

Stack the cut glass eyes and mouth on the white layer. Arrange the cut glass letters on the bottom in a semi-circle.

Fire the assembled project to a full fuse temperature using the guide available on my website.

Slump the fused project in a shallow plate mold using the guide available on my website.

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Lisa & Niki


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5 Fabulous Frit Techniques You’ll Love 

Except from my Painting with Frit Video.

Never underestimate the power of small!

Frit may be tiny, but make no mistake, this little powerhousecan make a huge, positive impact on your glass artwork. The beauty of frit is in its flexibility. I love to push that flexibility every chance I get. 

There are always several ways to approach any glass fusing project. But if you can incorporate frit of some sort into that project, you’ll have something unexpected that is unquestionably more engaging. And as self-serving as it is, we all want to dazzle people with our art. 

Next time you’re brainstorming how to build your project, consider replacing some or several design elements with frit. Play with different sizes; use mosaic, course, medium, fine and powder. Each size has its own unique visual characteristic that you will love after firing. Work with several shades of the same color such as light amber and medium amber to create a three-dimensional quality. Repeat the same color such as red in both transparent and opal glasses for greater contrast. 

Let’s dive in!

1 Go Overboard!

Strengthen your design by incorporating a subtle complimentary pattern in the background. When making the Flowering Tree, I cut a leafy tree limb stencil out of stiff paper. I then sifted soft green powders over the stencil to add the delicate woodland setting behind the flowering plant. The addition of the soft foliage unifies the overall project and makes it distinctly more appealing. The great thing about stenciling a design is that each piece you make will be slightly different and therefore each one has unique beauty.

2 Go Deeper!

Consider increasing the attraction of your work by repeating the same pattern on both the base layer and the top layer. Simply sift powders over a stencil on the base layer. Then turn the stencil ¼ turn and repeat the pattern on the second layer. Stack the layers to create a new, more elegant design. This quick little trick is a terrific way to increase visual depth and ramp up the sophistication of your artwork.  

3 Lighten Up!

Give your design a light source and you’ll have an immediate winner. With frit you can do it in a snap. Select frit in multiple shades of the same color. Use both transparent and opal versions of every color in your palette. Then gradually spread the frit working from light to dark. Blend the colors as you go for an even more engaging flow. This painterly technique rapidly transforms flat, lifeless images into lively three-dimensional masterpieces. 

4 Set the Mood!

Making a sherbet colored tropical sunset, a magical starry night or mysterious mist cloaked meadow is easy with frit. Think about how such enchanted places make you feel. Think about how they draw you in, tempt you to stay and make you wonder what hidden treasures wait for you just out of sight. Now take that feeling and make it tangible by mixing different colors of frit and you’ll create energetic settings that speaks out loud. 

Showing how to use frit to fill gaps.

5 Attention to Detail is Huge!

Next time your cut glass design doesn’t fit as accurately as you’d like, do what I do. Throw in a zinger. Fill that nasty crevice or inconvenient hole with frit in a color that contrasts the cut glass around it. No, you’re not fudging a mistake. You’re making something new, adding detail and highlighting the more important characteristics of your design.   

You Got This!

Frit may be small, but its applications are huge. Use it in small or even large doses and try new techniques for unlimited artistic possibilities. 

Except from my Painting with Frit Video.

Painting with Frit with Lisa Vogt Video

Want to learn more? Check out my Painting with Frit video.

Happy Fusing!

Lisa & Niki

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10 Tips for Better Glass Fusing Projects

1 Clean your glass before cutting it.

I use plain water and clean cotton towels. Avoid using cleaners or chemicals to clean your glass to prevent the introduction of contaminants that could react adversely with the glass.

2 Use the right tool for the job.

Streamline your project assembly, improve accuracy and reduce material waste with specialized tools. Use a strip cutter, circle cutter, wet saw and mosaic nippers when applicable for professional quality results.

3 Pick a color pallet and stick with it.

Be selective. Don’t use every crayon in the box. Choose a specific combination of glass colors to create an impactful design that shows an elevated level of sophistication and professionalism.   

4 Use high contrast colors.

Selecting bold colors adds energy and excitement to your artwork.

Tree of Tranquility by Lisa Vogt

5 Include a focal point.

A focal point can be subject, shape or color related. A recognizable and relatable subject draws the viewers’ attention and makes your art memorable.

6 Do your best work.

Accuracy matters. If you ask yourself, is this good enough? It’s not. Redo that part to make the most professional quality art you can. Spend the time to make sure your shapes are smooth, and your pieces fit together nicely.

Crystal Garden by Lisa Vogt

7 Design like a pro.

Assemble your projects to be both attractive and durable. Build your projects with two full layers of glass plus accents. This type of assembly ensures your project has uniform thickness throughout, smooth edge quality and an overall attractive appearance.    

8 Take your time.

Don’t rush the firing process. If you’re in doubt, fire your glass slower to ensure your project is successful. No peeking! You know who you are. After firing, let the kiln cool to room temperature before opening the lid.

9 Slump your project.

Slump or drape your flat fused glass to give it an interesting shape and unique form that increases the visual intricacy and graceful presence of your art.

10 Get creative with your display.

Make it sculptural. Create an attractive display that enhances the artwork. Give it lift so light passes through and illuminates the design.   

You got this!

Apply these tips and see a dramatic improvement in the quality and attractiveness of your fused glass art.

Follow my blog for weekly inspiration sent to your inbox! 

If you enjoy reading my blog, I have a feature on my website you’ll like. From the home page click on any page. On the side bar you can read my Top 10 Blog Posts. The list updates every 48 hours so check back often.

Happy Fusing!

Lisa & Niki

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How to Create Shadows and Shading

You’re wondering why is this subject important? You’ve likely had success working some element of shading into your pieces and that’s great. However, you may not know about the seldom discussed advanced techniques experienced artists use to produce more sophisticated compositions. With thoughtful planning, you can apply these simple techniques and drastically increase the richness of your work.      

When creating shading, it’s natural to reach for black frit or black glass. Black efficiently separates the foreground from the background. Black is also great for outlining your subject. However, there’s a better solution that adds richness to your scene.

When you use black to make shadows it creates a visual hole in your work. This void pulls the viewer’s attention away from your composition. For this reason, I use black as little as possible. I apply it with purpose for specific details in my designs. Instead of black, I use very dark blue, chocolate brown, deep purple or ruby red to make shadows in my pieces. I select the dark color that best suits the color scheme in my artwork. Using powerful high contrast colors adds velvety depth and an incredible richness to the setting.

How to create shadows with color.

Wine Glass as seen in my Simple Pleasures Video

Here I used dark blue to establish the linear details that translate into a grape vineyard behind the wine glass. The deep shadows the blue color creates, give the scene a relaxing late afternoon mood. The border is dark purple which mimics the color of grapes and wine.

Octopus Tray as seen in my Premium Video Membership

Here I used dark red to make shadows on the underside of the octopus tentacles. This application also makes the tentacle visually round and full. Dark red also worked beautifully to outline the octopus body and place it in front of the tentacles that curl behind its body. The only black in this piece is the eye detail.

Fairy tale Forest as seen in my Painting with Frit Video

There’s no black in this lush scene. The dark shadows in the trees and along the path are made with dark blue. The shadow cast on the woodland path is a combination of purple and dark amber frit. Get creative with your color combinations to build up dark recesses that make your highlighted details pop.

Winter Landscape as seen in the winter issue G.P.Q. Magazine Jan 2023

In this piece of art, black is limited to the lines on the tree trunks. I selected muted tones to create a quiet, calm, and relaxing setting. The shadow under the trees are created with medium purple frit. It simultaneously gave me depth and softness which I wanted to portray in this winter scene.

Welcome Fall as seen in my Premium Video Membership

When making this seasonal piece I wanted to maintain a warm yet rich color palette. I used a small amount black in the word welcome and in some of the letters that spell out FALL. When it came to adding shadows to the pumpkin, I used orange opal frit. The contrast is subtle but effective. I’m pleased with the stylized design and the inviting warmth it adds to my home.  

You got this!

Don’t worry about missing black. Once you substitute colors for black, you’ll love the effects you’re able to create. You’ll be amazed how switching to dark colors transforms your art and brings it to life.

Artists take what they see and make it new.

We take an ordinary scene and turn it into something new that reflects our sense of drama and whimsy. Using rich colors, instead of black, is a fabulous way to push designs in any direction you want to establish a personalized mood and tone. Give it a try. The possibilities are endless. You’re only limited by your imagination.

Watch the video here.

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Lisa & Niki

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6 Easy Ways to Include Words in Your Designs

We’re a chatty society. We favor T-shirts with funny sayings and wall art with inspirational messages written on them. It’s only natural to want to add a similar touch to your fused glass art. But creating text that’s attractive and legible in glass is difficult because the medium is bulky.

I’ve been including words in my art for years. It takes extra effort, but I’m willing to put in the time when  the inclusion of a written message will strengthen the impact of my artwork. The techniques outlined here are fun, fast, and easy. They’re great compliments for seasonal pieces, personalized gifts, and stylized art.

Let’s get started.

Great Fall is a super fun project! The step-by-step tutorial and full size pattern are now available in the Fall 2023 issue of Glass Patterns Quarterly. I included it here because it’s a terrific example of combining different methods in the same piece of art.

Great Fall

I wanted the word Great to be compact and graceful. I painted it on the glass with black Glassline outlining medium. After the paint dries, I go back and touch up the lettering to make the line width uniform. I use the point of a wooden toothpick or a razor knife to scrape the unwanted paint away.

When it came time to render the word Fall, I had a few ideas in mind. I could simply cut thin strips of glass or use noodles to write the word. Then it occurred to me that using colorful stringers would give me visual texture and look like sticks. This was the first time I tried that method and I’m really pleased with the results.

Welcome Fall

Welcome Fall is a new video course that will be released soon. Premium Video Members can look forward to having access to this fun project with their membership.

Batty

Batty utilizes the cut glass method to include text. The balloon style lettering is easy to cut out of glass and the oversized word adds an additional splash of color to the simple design. This bouncy lettering style is well suited for short impactful words. The Batty pattern is in my eBook Fireworks.

Love

Love also uses the cut glass method to achieve lettering. Here the lettering is the design and so, bold bright colors are key to delivering the lively message. These straight letters are fast and easy to cut. They’re a great choice for writing names. The Love how-to video and pattern eBook is available through my Premium Video Membership.   

Cookies for Santa

Cookies for Santa is a wonderful example of using frit to write intricate messages on your fused glass designs. Simply sift powder frit over the glass then write your words in the frit with a small paint brush or the eraser end of a pencil. For the best results, use high contrast colors and apply a thick layer of frit. Have fun with it! The Cookies for Santa pattern is in my eBook Fireworks.

Wish

Wish features delicate, whimsical lettering. The word is made by sifting powder frit, over a stencil. This easy technique is great for quick projects that call for intimate details. Hint, use more than one color frit to get a paintbrush stroke quality to the lettering. Also, use high contrast colors to ensure good readability. 

Wedding Heart

Wedding Heart is a little more complicated than the other techniques shown here. The advantage of using this method is it’s extremely effective and the results are graceful and elegant. Here the lettering is handwritten in liquid platinum with a needle type applicator pen. These items are available from your art glass supplier. The liquid platinum is fired onto the glass in the kiln for a permanent finish. The lettering is fired face down, in contact with a primed ceramic kiln shelf. Tip, the lettering does not adhere well if fired on fiber paper. It comes out dull and blotchy instead of uniform and shiny.

The lettering on the front of the heart is written with a silver sharpie marker. It’s not permanent and will wash off if the glass gets wet. We used these hearts for seating markers at my daughter’s wedding. They were memorable keepsakes and the guests loved them!

Including words in your projects is a fun way to ramp up the visual intricacy of your art.

Whether you keep it simple or combine multiple techniques you’re sure to enjoy the process and the outcome. I hope you found this spotlight on easy ways to include lettering in your fused glass designs helpful. Now get writing!    

Watch the How to Include Words in Your Designs with Lisa Vogt video here.

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Happy Fusing!

Lisa & Niki

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