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Celebrate Glowing Seasonal Home Accents

Fall in Florida is like spring up north in the sense that we’re coming off of months spent inside due to extreme temperatures outside. In Florida we were inside to avoid the heat, up north it’s to avoid the cold. Aa a result, Autumn’s crisp air and colorful foliage inspires renewed creativity and a longing to spend time in my glass studio.

Autumn also marks the upcoming holiday season. It means it’s time to start thinking about making fun seasonal themed fused glass projects to decorate my home and give as gifts. In recent years, I’ve really enjoyed displaying sparkling fused glass lanterns in my home, office, and yard. Lanterns are an easy way to include art glass in my decor to bring a special brightness and cheerful joy to these personal spaces.   

Especially around the holidays, I enjoy having soft accent lights around my home. So, I created a collection of lanterns I could switch out seasonally to add a festive atmosphere to my rooms all year long. And best of all, having a variety of design themes keeps the construction fresh and fun.

In my video Lumin-Essence I show how to make 8 shimmering lanterns. The lanterns range in complexity, but anyone with a flair for fusing can easily make them all. I will tell you though, they will challenge your fabrication skills. But in a good, try something new way that you’ll love. 

Fall Leaf is a quick and easy design to get you fired up and bring a seasonal touch to your home. It’s organic shape and bright, cheery colors make it the perfect complement to your fall decorations. Plus, the compact size makes it the perfect accent in small spaces or in dark areas where a little light would warm up your space.   

Brilliant gift ideas just in time for the holidays.

The first lantern I designed was inspired by relaxing summer vacations spent on a serene lake. A sailboat glides over calm waters with a picturesque view of mountains and pine trees behind. The custom made glass base provides a lift and an attractive pedestal to showcase the scenic setting. The front panel of the lantern bows out. The back panel bows in the opposite creating the perfect space for a candle or LED lights.

Weave is an especially fun lantern to make. It looks complicated and fragile, when in reality it’s easy and sturdy once assembled. Plus, it’s a terrific size for adding a touch of light to small or confined spaces. The assembly is simple. You cut a bunch of strips, lay them out in 4 alternating layers and then tack the pieces together in your kiln. The 4 sides are then glued together around a clear glass base. I like to add dichroic glass strips to mine for that super shine that lights up the room. The best part is Weave looks amazingly beautiful when lit. The open construction and rich colors cast a rainbow of colors on the table and surrounding walls.

Winter Wonderland is my favorite lantern. The clear glass backdrop is the perfect complement to the white and dichroic snowflakes. This dazzling lantern requires extra steps as the snowflakes are tacked together and then tacked on the clear front and back panels. Let me tell you, this one is worth your time. Winter Wonderland is a spectacular, glistening addition to any room.

Dogwood reminds me of flower gardening and the rebirth of nature in the spring. I selected a crisp, clean, simple color palate for this lantern. I used clear glass for the lattice because I wanted this lantern to have structure, but also a light, airy feel. The flowers are fun to make. They’re tacked together and then slumped in small bowl molds to give them form. Dogwood is assembled it multiple easy steps. The lantern sides are glued around a clear base. After the glue is dry the flowers are glued on one side at a time. When lit, Dogwood makes a dazzling centerpiece.  

Blue Mountains was inspired by the cool gradient colors of the Great Smoky Mountains. We all enjoy a refreshing trip to the mountains where stunning views and peaceful moments linger in our hearts. With this lantern you can relive those tranquil times every day. This lantern is super easy to make. You just layer several shades of blue. The beauty of Blue Mountains is in its simplicity of design and construction. You’ll love making this restful lantern.    

Red Heart is a darling combination of vivid color and lacy pattern. The great thing about this lantern is the small, fused glass design combined with a ready-made candle shelter, make it quick and easy to construct. You’ll definitely want one of these around come February. This dainty lantern is a perfect personalized gift to show family and friends they hold a special place in your heart.

Purple Heart may be dainty, but it lights up the room with an impressive glow. It’s another quick and easy project that makes a great gift. Just fuse glass strips and then glue them on a ready-made candle shelter. It doesn’t get easier.   

I hope this illuminating collection inspires you to be creative and celebrate family, friends, and all that we have to be thankful for. 

All of my multi-project videos come with a printable full size pattern eBook.

If you enjoy reading my blog, I have a feature on my website you’ll like. From the home page click on any page. On the right hand side bar you can read my Top 10 Blog Posts. The list updates every 48 hours so check back often.

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Happy Fusing!

Lisa & Niki

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Festive Fall Pumpkin How-to

HELLO SEPTEMBER! What better way to usher in Autumn and welcome the bountiful harvest of Fall than with a spicy pumpkin bowl? And this tasty treat is so fast and easy to bake you’ll be tempted to fuse up an entire field full. Don’t let the subtle shading and intricate details of this piece fool you into thinking this project is time consuming. The beauty of this seasonal bowl is the speed and ease at which you can bring a rich combination of materials together to make a striking arrangement.  

To make this elegant pumpkin bowl draw a 10 ½ inch circle on paper. Give your pumpkin shape be adding a few curves to the top and bottom of the circle. Using the pattern as a guide, cut layer 1 out of Marigold. Cut a second piece of glass, for layer 2 the same shape and size out of Yellow patterned glass. Cut a stem shape out of opal green glass for layer 3. Grind the cut pieces and test the fit for accuracy. After grinding, be sure to clean and dry all the ground glass pieces. I use plain water and a cotton towel. A single edge razor blade works well to remove any stubborn glue or paint-based marker. 

Create lush shadows and contours with frit.

Use a sifter to apply an even layer of red powder frit on top of the marigold layer. Concentrate the frit and make gradual curved lines that accentuate the plump roundness of a vine ripened pumpkin. Use a small, dry paint brush to perfect your curves. Stack the yellow pattern glass on the frit coated marigold base. Add the green stem and fuse. Slump the fused glass in a shallow mold.  

Note: The finished size of this delightful pumpkin bowl is 10 inch. The fused glass is slumped into a shallow 11-inch ceramic mold. You can make the pumpkin larger or smaller to fit any size or shape mold you have.

Watch How to make a pumpkin bowl on my YouTube Channel below!

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If you enjoy reading my blog, I have a feature on my website you’ll like. From the home page click on any page. On the side bar you can read my Top 10 Blog Posts. The list updates every 48 hours so check back often.

Happy Fusing!

Lisa & Niki


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Endless Summer! Fish Plate

What better way to keep the warm, carefree days of summer flowing than with a fancy tropical fish plate. The cool thing about this brightly colored reef dweller is it combines easy cutting techniques along with a freestyle approach to assembly that make it fast, easy and fun to make.

Here’s how

Fish Plate How-To 12” x 9”

  1. Using the pattern as a guide cut a base out of clear glass. Cut as much as possible by hand. Use a wet saw to cut the deep inside curves. If you don’t have access to a saw, the base can be made up of pieces. Grind the base to remove sharp edges and improve the shape.
  2. Cut ¼” wide strips of color glass for the fish body. I used both opal and transparent glass. Spread the glass out to create an interesting color arrangement.
  3. Use the pattern as a guide to cut the head and tail out of opal glass. Cut the fins out of transparent glass. Grind the glass as needed.
  4. Arrange the strips on the paper pattern between the head and tail pieces. Include a few pieces of twisted cane between the glass strips for a trendy detail. Mark the glass strips and cut them to size.
  5. Bend stringer in a candle for a fun wavy pattern.
  6. Stack the head, tail and fins on the base layer. Glue the cut glass to the base with fuser’s glue. Add the eye and side fin.
  7. Detail the fish with an assortment of black and clear dichroic scrap and wavy stingers. 
  8. Fire the fish to a full fuse temperature.
  9. Slump the fish into a shallow mold.
  10. Enjoy!

Fish Plate Pattern

Fusing Guide

Segment 1: Ramp 300 F/hr to 1300 and hold 30 min.

Segment 2: Ramp 500 F/hr to 1465 and hold 10 min.

Segment 3: Ramp 9999(AFAP*) to 960 and hold 40 min.

Segment 4: Cool to room temperature.

*As fast as possible

Slumping Guide

Segment 1: Ramp 300 F/hr to 1265 and hold 10 min.

Segment 2: Ramp 9999(AFAP*) to 960 and hold 40 min.

Segment 3: Cool to room temperature.

*As fast as possible.

NOTE: Kilns fire differently. Test fire these guides in your kiln and then make adjustments as needed.

Fish Plate as seen in my Fun and Fanciful Fusing video.

Fun and Fanciful Fusing with Lisa Vogt.
“I LOVE the creative projects and use of color in this video. So inspiring!”

This exciting video is all about having fun! It’s about working with vibrant glass colors, making new project shapes, and getting excited about glass fusing again!

Happy Fusing!

Lisa & Niki

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Relax! It’s Five O’clock Somewhere!

Raise a glass! Let’s celebrate all that we have to be thankful for. I enjoy drinking wine and the warm, relaxed atmosphere it creates. Therefore, it was natural to include a wine glass in my collection of designs in my video, Simple Pleasures.

My design process.

Once I decide on the subject matter for a specific project, in this case a simple wine glass, I then consider the background space. I say to myself, “What can I do in the background to enhance my focal point?” Then  I take it step farther and ask. “How can I create a setting that reflects the mood I want to portray?” Wine makes me think of rolling green hills and booming vineyards. I’ve only been to a vineyard once. So, I researched winery images online where I found a lot of inspiration. I wanted the background to add to, but not overpower the wine glass. I decided to create a sense of place with a rural landscape complete with distant hills and the illusion of rows of grape vines.

I then decided that frit would give me the stylized feel I wanted for the background. With frit I had control and the flexibility to create a setting that’s both easily recognizable and impressionistic at the same time. I selected high contrast frit colors. I used fine size frit to give me soft lines that would be consistent with a distant view.

As you can see, a lot of planning and forethought goes into my designs. All of my decisions are intentional. Working this way takes time, but the increase in visual potency is always worth the effort. When you start a project, give it your full attention. Think beyond cutting the glass and stacking it in the kiln. Consider ways you can create a greater visual impact by adding detail.

How to make the Wine Glass.

This 8 inch x 8 inch project is made with 2 layers of glass. The base layer is white glass. The design layer is made up of cut glass and frit.

Cut a ½ inch wide border out of purple glass. Cut the wine glass out of dichroic or iridized glass. Glue the border and wine glass pieces to the base layer. Let the glue dry so the pieces don’t move  when you apply the frit.

Apply a thick layer of medium green, fine size frit to the bottom of the space. Use a small paint brush to shape the green into a nice, graceful curve. Use a spoon to apply dark green, fine size frit on top of the medium frit to represent the grape vine rows.

Tip: Pile the frit up to the thickness of the cut glass around it for strong color saturation and even coverage.

Moving up apply light green, fine size frit to create a distant hill. Detail the hill with medium green, fine size frit for the distant grape vine rows. Continue building the landscape with a brown hill followed by a tan hill.

I used fine size, sky blue frit for the upper portion of the background. I then blended fine size, medium blue into the sky blue to create movement in the sky.

Tip: Be meticulous about your clean up. Carefully brush any excess frit off the wine glass and border. The more time and effort you put into every step, the higher the quality of your finished artwork. Always do your best work.

Fire the assembled project to a full fuse temperature using the firing guide below.

My wine glass panel measures 8 inch x 8 inch. You can make it in a different size and get the same beautiful results.

Wine Glass as seen in my Simple Pleasures video. This is only one of 12 fun projects in my full length video. Download it now at  www.LisaJVogt.com

Simple Pleasures with Lisa Vogt Video

Watch the, Wine Glass, YouTube video here: https://youtu.be/VqOUndwKGm8

Fusing Guide
Segment 1: Ramp 300 F/hr to 1300 and hold 30 min.
Segment 2: Ramp 500 F/hr to 1465 and hold 10 min.
Segment 3: Ramp 9999(AFAP*) to 960 and hold 40 min.
Segment 4: Cool to room temperature.
*As fast as possible

NOTE: Kilns fire differently. Test fire these guides in your kiln and then make adjustments as needed.
 Raise a glass. Let’s celebrate!

Cheers!
Lisa

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Show A Little Personality

Your artistic vision, your creative drive and your advancing skill level make you the wonderfully unique artist you are. When I recall other artist’s work, the memorable pieces are those that truly show the artist’s personality. Being original and true to yourself makes your artwork stand out from the crowd. So, how do you free your spirit and find inspiration? Here are some techniques I use to unleash my inner designer.

Harness the Power of Design

You don’t need a fine art degree to draw your own original designs. Clean lines and crisp colors are powerful tools you can use to increase the dramatic impact of your work.

Glass is a versatile medium. It’s well suited for different design styles like geometric patterns as well as abstract compositions. It’s this flexibility, combined with its magical luminous quality that inspires so many artists to create their art in glass.

A lot of my artwork is pictorial with images of landscapes or animals. I love bringing recognizable subjects to life in unique ways that reflect my sense of whimsy. On other occasions, it’s fun to design a pattern that changes our view of a familiar geometric shape and transforms something old into something new.

In my experience, the best way to shift expectation of a basic shape is to draw an original design. I start with a blank piece of paper. I leave preconceived ideas at the door and approach this new pattern design with fresh eyes.

 

1

 

I begin with the basics, a blank page, a pencil, an eraser, and a ruler. I draw the perimeter shape. Then I consider how to divide the space in a way that is unique and engaging. As the drawing develops, I allow myself the flexibility to add or erase lines as I go along. The best results are achieved when I let this exercise progress organically. In other words, just play. Add random lines, make fun shapes. Don’t over think the outcome. Have fun. You’ll be surprised how creative your subconscious mind is when you give it free rein. Go for it!

 

Over the years I’ve learned not to over-plan the design at the pattern stage. Instead, I leave room for the glass to influence the design style with added visual interest and vivid color.

I’m a visual learner. Therefore, I thought it would be helpful if I demonstrated the design process with this Geometric bowl from my, Fused Art Design video.

Begin by drawing the perimeter shape with a pencil and ruler. In this case our project is a 10 inch by 10 inch square. I drew notches, one on each side, to spice up the plain square shape. Then I try a variety of layouts by adding lines and shapes to the pattern. I work with pencil so I can make changes easily, like removing lines.

I often draw borders into my geometric designs. They visually contain the art like a frame. And it’s a great place to punch up the color with bright strips of glass.

Here I’m also introducing a partial square drawn on edge. The unexpected position of the shape adds tension to the simple square profile, which in turn makes the finished piece more interesting.

2

Now it’s time to cut glass.

I’m working with high contrast colors to create a bold composition. I also purposely selected both opal and transparent glass colors. It’s a winning combination that increases the dramatic impact of my pieces. I’ve also included dichroic glass because the sultry color shifts breathe life into the art.

3

I cut strips of glass out of the materials I’ve pulled, and then arrange the cut class on the pattern. I reposition the glass until something strikes me. Then I build from there. In essence, the glass is contributing to the development of the design. Working this way releases your creative mood and generates fresh new design ideas that would have otherwise gone undiscovered.

Once I’m satisfied with the glass layout, I move the cut glass from the pattern and arrange in on a clear glass base. I build most of my projects with two layers of glass. Design details and accents are stacked on top of the second layer. This type of assembly produces durable projects with uniform thickness and visually pleasing edges.

4

The assembled glass is then fired in a kiln to a full fuse temperature. The fused glass is then fired in a kiln in a square mold to a slumping temperature.

5

Creating exceptional art is my passion. My process is never rushed. Shortcuts are unacceptable. I always do my best work to create the highest quality artwork I can. Sure, I make mistakes. Some pieces are disappointing disasters. I don’t let failure slow  me down. I learn from the experience and I start over. I work on my idea until I achieve the desired result.

Next time you need a creative lift, consider starting from scratch and drawing your own fused glass pattern. It doesn’t have to be complex to be great. Simple designs that reflect your personal style and artistic flare are destined to be beautiful and memorable works of art.

Wherever you are in your artistic journey, you’re doing terrific! Keep up the great work.

Happy Fusing!

Lisa & Niki

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Geometric, as seen in my video Fused Art Design available on my website at

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