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Fuse up For Fall – Celebrations Begin with Glowing Seasonal Home Accents

Fall in Florida is like spring up north in the sense that weโ€™re coming off months spent inside due to extreme temperatures outside. In Florida we were inside to avoid the heat, up north itโ€™s to avoid the cold. As a result, Autumnโ€™s crisp air and colorful foliage inspires renewed creativity and a longing to spend time in my glass studio.

Autumn also marks the upcoming holiday season. It means itโ€™s time to start thinking about making fun seasonal themed fused glass projects to decorate my home and give as gifts. In recent years, Iโ€™ve really enjoyed displaying sparkling fused glass lanterns in my home, office, and yard. Lanterns are an easy way to include art glass in my decor to bring a special brightness and cheerful joy to these personal spaces.   

Especially around the holidays, I enjoy having soft accent lights around my home. So, I created a collection of lanterns I could switch out seasonally to add a festive atmosphere to my rooms all year long. And best of all, having a variety of design themes keeps the construction fresh and fun.

In my video Lumin-Essence I show how to make 8 shimmering lanterns. The lanterns range in complexity, but anyone with a flair for fusing can easily make them all. I will tell you though, they will challenge your fabrication skills. But in a good, try something new way that youโ€™ll love. 

Fall Leaf is a quick and easy design to get you fired up and bring a seasonal touch to your home. Itโ€™s organic shape and bright, cheery colors make it the perfect complement to your fall decorations. Plus, the compact size makes it the perfect accent in small spaces or in dark areas where a little light would warm up your space.   

The first lantern I designed was inspired by relaxing summer vacations spent on a serene lake. A sailboat glides over calm waters with a picturesque view of mountains and pine trees behind. The custom-made glass base provides a lift and an attractive pedestal to showcase the scenic setting. The front panel of the lantern bows out. The back panel bows in the opposite creating the perfect space for a candle or LED lights.

Weave is an especially fun lantern to make. It looks complicated and fragile, when itโ€™s easy and sturdy once assembled. Plus, itโ€™s a terrific size for adding a touch of light to small or confined spaces. The assembly is simple. You cut a bunch of strips, lay them out in 4 alternating layers and then tack the pieces together in your kiln. The 4 sides are then glued together around a clear glass base. I like to add dichroic glass strips to mine for that super shine that lights up the room. The best part is Weave looks amazingly beautiful when lit. The open construction and rich colors cast a rainbow of colors on the table and surrounding walls.

Winter Wonderland is my favorite lantern. The clear glass backdrop is the perfect complement to the white and dichroic snowflakes. This dazzling lantern requires extra steps as the snowflakes are tacked together and then tacked on the clear front and back panels. Let me tell you, this one is worth your time. Winter Wonderland is a spectacular, glistening addition to any room.

Dogwood reminds me of flower gardening and the rebirth of nature in the spring. I selected a crisp, clean, simple color palate for this lantern. I used clear glass for the lattice because I wanted this lantern to have structure, but also a light, airy feel. The flowers are fun to make. Theyโ€™re tacked together and then slumped in small bowl molds to give them form. Dogwood is assembled it multiple easy steps. The lantern sides are glued around a clear base. After the glue is dry the flowers are glued on one side at a time. When lit, Dogwood makes a dazzling centerpiece.  

Blue Mountains was inspired by the cool gradient colors of the Great Smoky Mountains. We all enjoy a refreshing trip to the mountains where stunning views and peaceful moments linger in our hearts. With this lantern you can relive those tranquil times every day. This lantern is super easy to make. You just layer several shades of blue. The beauty of Blue Mountains is in its simplicity of design and construction. Youโ€™ll love making this restful lantern.    

Red Heart is a darling combination of vivid color and lacy pattern. The great thing about this lantern is the small, fused glass design combined with a ready-made candle shelter, make it quick and easy to construct. Youโ€™ll want one of these around come February. This dainty lantern is a perfect personalized gift to show family and friends they hold a special place in your heart.

Purple Heart may be dainty, but it lights up the room with an impressive glow. Itโ€™s another quick and easy project that makes a great gift. Just fuse glass strips and then glue them on a ready-made candle shelter. It doesnโ€™t get easier.   

I hope this illuminating collection inspires you to be creative and celebrate family, friends, and all that we are thankful for. 

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If you enjoy reading my blog, I have a feature on my website youโ€™ll like. From the home page click on any page. On the side bar you can read my Top 10 Blog Posts. The list updates every 48 hours so check back often.

Happy Fusing!

Lisa


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Fused Glass Sculptures Made Easyย ย ย 

What does sculptural fused glass mean anyway?

Sculptural fused glass is the creation of three-dimensional forms that rise above a flat plane. Artists create 3-D works by using multiple methods and techniques with complete freedom of materials and process. 

Sounds exciting, right? All you have to do is stand your art up and itโ€™s miraculously sculptural. Sure, you can do that. The word โ€œsculpturalโ€ sounds exotic. Add it to any piece of art and suddenly it has a mysterious aura surrounding it, and a significantly higher perceived value. But like most really exceptional work that looks easy, thereโ€™s more to making impressionable art than just erecting a flat piece of fused glass.

The real difference between art and craft is the depth of immersion the creator puts into the creation of their art.

Hobbyists copy. They follow outlined directions and build pretty pieces according to a pre-tested recipe. Donโ€™t get me wrong, thereโ€™s nothing wrong with doing that. Hobbyists want to know theyโ€™ll be successful and have beautiful results. Especially after all the time and money theyโ€™ve spent on a pastime.

Iโ€™m a hobbyist when it comes to other popular activities like singing, flower arranging and astronomy. Thatโ€™s how we learn. By following the pros and picking up their tricks, we learn how to make things weโ€™re proud of and admire.

And if you become hooked, maybe you take your hobby a step further. You try new techniques and experiment by mixing techniques or combining ideas that inspire you. This is the threshold of advanced learning and the blossoming of self-discovery. You wonder, what can I do? What can I make? How far can I go? And the real question is, what am I capable of, artistically?

Hobbyists often start a hobby to relax and enjoy quiet time. They are content to stay in the shallows where itโ€™s safe and they are successful. And thatโ€™s admirable. 

Artists, on the other hand, take their commitment more seriously. Theyโ€™re drawn to a medium by an invisible magnet. From the start theyโ€™re compelled to learn as much as possible about that art form. They have every intention of progressing, to work on bigger, better, more advanced projects. They head for the deep end without looking back and, sink or swim, give it all they have. 

What does this have to do with sculptural fused glass?

Sculptural fused glass is the product of such artists. Theyโ€™re the ones who go above and beyond. They challenge convention and push boundaries.

You may think it takes extensive experience and an impressive glass studio to be one of those pioneers. Youโ€™d be wrong. Your most valuable assets are a positive attitude, insatiable curiosity, and a fearless willingness to try. Just try. Trying is worthy of celebration and cheers.

How to get started.

I recommend making small 2 inch x 2 inch samples using different, new techniques that intrigue you. This gives you construction and firing experience with these new methods to see how they fire in your kiln. Then consider mixing methods that youโ€™d usually do independently. Take these component pieces and cut them up. Then put them back together in a new way.

Slump plain clear fusible glass over molds in unique ways. Try combining different shapes to make sculptural groupings all your own. Again, start small. You can always take a successful project larger. Once you have a winning combo slump your component pieces the same way.  

Take notes and pictures so you can repeat your successes and learn from mistakes.

Your biggest obstacle is likely you. Get out of your own way. Start small. Make tiny changes. Results are results. They donโ€™t have to be monstrous to have enormous value.

If youโ€™ve come this far in your craft, if youโ€™re continually seeking inspiration, knowledge and community, I believe you have it in you to create your own unique sculptural fused glass.

Want to jump start your sculptural glass fusing? Join me Tuesday October 12, 2021 for my Fused Glass Sculpture Webinar.

You got this!  

Happy Fusing!

Lisa

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How to Find Inspiration

Fall is a wonderful time to enjoy outdoor activities and breathe in the beauty of nature. Itโ€™s refreshing to be away from my glass studio in environments rich with color, pattern and new scenes. I cherish time cooling off on the water and the exhilaration of hiking in the woods. The outings clear my mind of old design themes, they rejuvenate my spirit and inspire new design ideas.

I may be off work, but my creative subconscious is on duty collecting tidbits thatโ€™ll later be integral parts of my new art. I seek exciting new compositions by studying tiny details like the delicate curled shoots of ferns. I imagine the extreme color combinations studying the broad strokes of a spectacular, cotton candy pink sunset. Even familiar settings, seen with renewed artistic curiosity, offer new appeal.  

Fairy Tale Forest by Lisa Vogt

Fairy Tale Forest was inspired by a path I frequently walk in the woods. Itโ€™s an enchanted place with specked shade, inviting curves that promise adventure and the musical sounds of nature alive in the brush. Tall pines and century old oaks form a canopy overhead. The cathedral-like tunnel makes me feel small, at ease and safe. Itโ€™s as if the trees are guarding me with the wisdom of their age. Itโ€™s such a magical place, I half expect to see a white unicorn trotting around the palmetto bushes.

The truth is the path doesnโ€™t really look like my design. I exercised my artistic license. I designed the art to convey the way I feel, the comfort and joy I have when Iโ€™m strolling down the leaf blanketed trail.

I never would have stretched my artistic vision to that extent without the actual experience of walking down that path.

Paradise Bay by Lisa Vogt

Paradise Bay was inspired by a favorite lagoon on a lake. Again, the artwork loosely represents the landscape. Itโ€™s really a representation of good times and fond memories of time spent with my family.  

River Bottom by Lisa Vogt

River Bottom was inspired by the ditch that lines my street. Really. I was walking one morning and noticed the sunlight shining on the water in the retention ditch on my road. The sun pierced through the clear water down to the bottom where it lit up the tiny green leaves of mossy plants. They sparkled like glitter covered light bulbs. It was so captivating I then noticed some lacy tree leaves suspended in time, and the striking shadows of tree trunks stretching across the placid surface of the water. I thought, this is a beautiful scene, how can I render this in glass?

The project is simple. You must see it in person, after hearing the story, to really appreciate the true beauty and depth of River Bottom. The takeaway, the invaluable lesson, is that beauty is all around us. We just have to look for it and then let it inspire us to be creative.           

Take it outside!

This fall while youโ€™re exploring beaches, mountains and cities open yourself to discovery. Then, when the artistic spark flares, youโ€™ll have an exciting collection of new ideas to fuel what you fire. 

Happy fusing!
Lisaย & Niki

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Spooktacular Ghost Plate How-to

Halloween is one of my favorite holidays. I love the wide variety of fun designs we can make to decorate our homes with a seasonal flare. I like this particular plate for its free-form shape. The graceful curve around the ghostโ€™s head make it jump off the counter. But, donโ€™t let the unusual shape scare you. The subtle contours are actually easy to cut. And, you can always grind the edge to fine tune the shape. Letโ€™s get started.  

How-to:

Cut a 10 inch clear circle for the base layer. Using the pattern as a guide, cut the clear glass circle to match the irregular pattern shape. Grind the glass to remove sharp edges and smooth the shape.

Cut white glass to match the clear base layer. Using a wet saw, cut the background around the ghostโ€™s head and arms away.  

Pro Tip: No saw needed. If you donโ€™t have a saw, the white ghost layer can be made up of pieces. OR Cut the white layer to match the clear base layer. Then make the shapes that outline the ghostโ€™s head and arms just like the eyes and mouth, with cut navy blue glass. 

Tack glue the white layer onto the clear base with a small amount of fuserโ€™s glue. Let the glue dry before moving to the next step. Gluing keeps the white glass from sliding around when you apply the frit.

Glue Tip: I like to use Elmerโ€™s white glue. I apply the smallest amount of glue possible with the tip of a toothpick. The tiny, pin head size dots of glue burn off during firing without leaving a distracting haze between the glass layers. 

Cut the ghostโ€™s eyes and mouth out of navy blue glass. Grind them to improve the shape. Set them aside.

Color Tip: When possible, I prefer to use dark, navy blue instead of black. Black creates a visual hole in the artwork. While the dark blue adds a nice tonal quality that gives the art a more interesting look.    

Cut the letters out of bright, seasonal colors. Grind the letters to smooth out the edges. Set them aside.

Once the glue holding the white layer in place is dry, apply the frit. Using a spoon, pour power navy blue frit into the spaces that outline the ghostโ€™s head and arms. Leave enough room to add fine aventurine blue for shading. Next add fine, aventurine blue. Concentrate the darker color on the right side of the openings to create a moody shadow effect.

Using a small, dry paint brush clean any excess frit off the white glass. Be meticulous with your clean up. Itโ€™s this type of attention to detail that will make a huge difference in the visual quality of your finished pieces.     

Frit Tip: Pile the frit as high as the white glass that contains it. This gives the transparent material strong color saturation, which in turn produces the dramatic, high contrast effect weโ€™re trying to achieve. If you ask yourself, is it enough, add more frit.

Stack the cut glass eyes and mouth on the white layer. Arrange the cut glass letters on the bottom in a semi-circle.

Fire the assembled project to a full fuse temperature using the guide available on my website.

Slump the fused project in a shallow plate mold using the guide available on my website.

Follow my blog for weekly inspiration sent to your inbox! 

If you enjoy reading my blog, I have a feature on my website youโ€™ll like. From the home page click on any page. On the side bar you can read my Top 10 Blog Posts. The list updates every 48 hours so check back often.

Happy Fusing!

Lisa & Niki


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How to Create Shadows and Shading

Youโ€™re wondering why is this subject important? Youโ€™ve likely had success working some element of shading into your pieces and thatโ€™s great. However, you may not know about the seldom discussed advanced techniques experienced artists use to produce more sophisticated compositions. With thoughtful planning, you can apply these simple techniques and drastically increase the richness of your work.      

When creating shading, itโ€™s natural to reach for black frit or black glass. Black efficiently separates the foreground from the background. Black is also great for outlining your subject. However, thereโ€™s a better solution that adds richness to your scene.

When you use black to make shadows it creates a visual hole in your work. This void pulls the viewerโ€™s attention away from your composition. For this reason, I use black as little as possible. I apply it with purpose for specific details in my designs. Instead of black, I use very dark blue, chocolate brown, deep purple or ruby red to make shadows in my pieces. I select the dark color that best suits the color scheme in my artwork. Using powerful high contrast colors adds velvety depth and an incredible richness to the setting.

How to create shadows with color.

Wine Glass as seen in my Simple Pleasures Video

Here I used dark blue to establish the linear details that translate into a grape vineyard behind the wine glass. The deep shadows the blue color creates, give the scene a relaxing late afternoon mood. The border is dark purple which mimics the color of grapes and wine.

Octopus Tray as seen in my Premium Video Membership

Here I used dark red to make shadows on the underside of the octopus tentacles. This application also makes the tentacle visually round and full. Dark red also worked beautifully to outline the octopus body and place it in front of the tentacles that curl behind its body. The only black in this piece is the eye detail.

Fairy tale Forest as seen in my Painting with Frit Video

Thereโ€™s no black in this lush scene. The dark shadows in the trees and along the path are made with dark blue. The shadow cast on the woodland path is a combination of purple and dark amber frit. Get creative with your color combinations to build up dark recesses that make your highlighted details pop.

Winter Landscape as seen in the winter issue G.P.Q. Magazine Jan 2023

In this piece of art, black is limited to the lines on the tree trunks. I selected muted tones to create a quiet, calm, and relaxing setting. The shadow under the trees are created with medium purple frit. It simultaneously gave me depth and softness which I wanted to portray in this winter scene.

Welcome Fall as seen in my Premium Video Membership

When making this seasonal piece I wanted to maintain a warm yet rich color palette. I used a small amount black in the word welcome and in some of the letters that spell out FALL. When it came to adding shadows to the pumpkin, I used orange opal frit. The contrast is subtle but effective. Iโ€™m pleased with the stylized design and the inviting warmth it adds to my home.  

You got this!

Donโ€™t worry about missing black. Once you substitute colors for black, youโ€™ll love the effects youโ€™re able to create. Youโ€™ll be amazed how switching to dark colors transforms your art and brings it to life.

Artists take what they see and make it new.

We take an ordinary scene and turn it into something new that reflects our sense of drama and whimsy. Using rich colors, instead of black, is a fabulous way to push designs in any direction you want to establish a personalized mood and tone. Give it a try. The possibilities are endless. Youโ€™re only limited by your imagination.

Watch the video here.

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Happy Fusing!

Lisa & Niki

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