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Spooktacular Ghost Plate How-to

Halloween is one of my favorite holidays. I love the wide variety of fun designs we can make to decorate our homes with a seasonal flare. I like this particular plate for its free-form shape. The graceful curve around the ghostโ€™s head make it jump off the counter. But, donโ€™t let the unusual shape scare you. The subtle contours are actually easy to cut. And, you can always grind the edge to fine tune the shape. Letโ€™s get started.  

How-to:

Cut a 10 inch clear circle for the base layer. Using the pattern as a guide, cut the clear glass circle to match the irregular pattern shape. Grind the glass to remove sharp edges and smooth the shape.

Cut white glass to match the clear base layer. Using a wet saw, cut the background around the ghostโ€™s head and arms away.  

Pro Tip: No saw needed. If you donโ€™t have a saw, the white ghost layer can be made up of pieces. OR Cut the white layer to match the clear base layer. Then make the shapes that outline the ghostโ€™s head and arms just like the eyes and mouth, with cut navy blue glass. 

Tack glue the white layer onto the clear base with a small amount of fuserโ€™s glue. Let the glue dry before moving to the next step. Gluing keeps the white glass from sliding around when you apply the frit.

Glue Tip: I like to use Elmerโ€™s white glue. I apply the smallest amount of glue possible with the tip of a toothpick. The tiny, pin head size dots of glue burn off during firing without leaving a distracting haze between the glass layers. 

Cut the ghostโ€™s eyes and mouth out of navy blue glass. Grind them to improve the shape. Set them aside.

Color Tip: When possible, I prefer to use dark, navy blue instead of black. Black creates a visual hole in the artwork. While the dark blue adds a nice tonal quality that gives the art a more interesting look.    

Cut the letters out of bright, seasonal colors. Grind the letters to smooth out the edges. Set them aside.

Once the glue holding the white layer in place is dry, apply the frit. Using a spoon, pour power navy blue frit into the spaces that outline the ghostโ€™s head and arms. Leave enough room to add fine aventurine blue for shading. Next add fine, aventurine blue. Concentrate the darker color on the right side of the openings to create a moody shadow effect.

Using a small, dry paint brush clean any excess frit off the white glass. Be meticulous with your clean up. Itโ€™s this type of attention to detail that will make a huge difference in the visual quality of your finished pieces.     

Frit Tip: Pile the frit as high as the white glass that contains it. This gives the transparent material strong color saturation, which in turn produces the dramatic, high contrast effect weโ€™re trying to achieve. If you ask yourself, is it enough, add more frit.

Stack the cut glass eyes and mouth on the white layer. Arrange the cut glass letters on the bottom in a semi-circle.

Fire the assembled project to a full fuse temperature using the guide available on my website.

Slump the fused project in a shallow plate mold using the guide available on my website.

Follow my blog for weekly inspiration sent to your inbox! 

If you enjoy reading my blog, I have a feature on my website youโ€™ll like. From the home page click on any page. On the side bar you can read my Top 10 Blog Posts. The list updates every 48 hours so check back often.

Happy Fusing!

Lisa & Niki


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How to Create Shadows and Shading

Youโ€™re wondering why is this subject important? Youโ€™ve likely had success working some element of shading into your pieces and thatโ€™s great. However, you may not know about the seldom discussed advanced techniques experienced artists use to produce more sophisticated compositions. With thoughtful planning, you can apply these simple techniques and drastically increase the richness of your work.      

When creating shading, itโ€™s natural to reach for black frit or black glass. Black efficiently separates the foreground from the background. Black is also great for outlining your subject. However, thereโ€™s a better solution that adds richness to your scene.

When you use black to make shadows it creates a visual hole in your work. This void pulls the viewerโ€™s attention away from your composition. For this reason, I use black as little as possible. I apply it with purpose for specific details in my designs. Instead of black, I use very dark blue, chocolate brown, deep purple or ruby red to make shadows in my pieces. I select the dark color that best suits the color scheme in my artwork. Using powerful high contrast colors adds velvety depth and an incredible richness to the setting.

How to create shadows with color.

Wine Glass as seen in my Simple Pleasures Video

Here I used dark blue to establish the linear details that translate into a grape vineyard behind the wine glass. The deep shadows the blue color creates, give the scene a relaxing late afternoon mood. The border is dark purple which mimics the color of grapes and wine.

Octopus Tray as seen in my Premium Video Membership

Here I used dark red to make shadows on the underside of the octopus tentacles. This application also makes the tentacle visually round and full. Dark red also worked beautifully to outline the octopus body and place it in front of the tentacles that curl behind its body. The only black in this piece is the eye detail.

Fairy tale Forest as seen in my Painting with Frit Video

Thereโ€™s no black in this lush scene. The dark shadows in the trees and along the path are made with dark blue. The shadow cast on the woodland path is a combination of purple and dark amber frit. Get creative with your color combinations to build up dark recesses that make your highlighted details pop.

Winter Landscape as seen in the winter issue G.P.Q. Magazine Jan 2023

In this piece of art, black is limited to the lines on the tree trunks. I selected muted tones to create a quiet, calm, and relaxing setting. The shadow under the trees are created with medium purple frit. It simultaneously gave me depth and softness which I wanted to portray in this winter scene.

Welcome Fall as seen in my Premium Video Membership

When making this seasonal piece I wanted to maintain a warm yet rich color palette. I used a small amount black in the word welcome and in some of the letters that spell out FALL. When it came to adding shadows to the pumpkin, I used orange opal frit. The contrast is subtle but effective. Iโ€™m pleased with the stylized design and the inviting warmth it adds to my home.  

You got this!

Donโ€™t worry about missing black. Once you substitute colors for black, youโ€™ll love the effects youโ€™re able to create. Youโ€™ll be amazed how switching to dark colors transforms your art and brings it to life.

Artists take what they see and make it new.

We take an ordinary scene and turn it into something new that reflects our sense of drama and whimsy. Using rich colors, instead of black, is a fabulous way to push designs in any direction you want to establish a personalized mood and tone. Give it a try. The possibilities are endless. Youโ€™re only limited by your imagination.

Watch the video here.

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Happy Fusing!

Lisa & Niki

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Festive Fall Pumpkin How-to

What better way to usher in Autumn and welcome the bountiful harvest of Fall than with a spicy pumpkin bowl? And this tasty treat is so fast and easy to bake youโ€™ll be tempted to fuse up an entire field full. Donโ€™t let the subtle shading and intricate details of this piece fool you into thinking this project is time consuming. The beauty of this seasonal bowl is the speed and ease at which you can bring a rich combination of materials together to make a striking arrangement.  

To make this elegant pumpkin bowl draw a 10 ยฝ inch circle on paper. Give your pumpkin shape be adding a few curves to the top and bottom of the circle. Using the pattern as a guide, cut layer 1 out of Marigold. Cut a second piece of glass, for layer 2 the same shape and size out of Yellow patterned glass. Cut a stem shape out of opal green glass for layer 3. Grind the cut pieces and test the fit for accuracy. After grinding, be sure to clean and dry all the ground glass pieces. I use plain water and a cotton towel. A single edge razor blade works well to remove any stubborn glue or paint-based marker. 

Create lush shadows and contours with frit.

Use a sifter to apply an even layer of red powder frit on top of the marigold layer. Concentrate the frit and make gradual curved lines that accentuate the plump roundness of a vine ripened pumpkin. Use a small, dry paint brush to perfect your curves. Stack the yellow pattern glass on the frit coated marigold base. Add the green stem and fuse. Slump the fused glass in a shallow mold.  

Note: The finished size of this delightful pumpkin bowl is 10 inch. The fused glass is slumped into a shallow 11-inch ceramic mold. You can make the pumpkin larger or smaller to fit any size or shape mold you have.

Follow my blog for weekly inspiration sent to your inbox! 

If you enjoy reading my blog, I have a feature on my website youโ€™ll like. From the home page click on any page. On the side bar you can read my Top 10 Blog Posts. The list updates every 48 hours so check back often.

Happy Fusing!

Lisa & Niki


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6 Easy Ways to Include Words in Your Designs

Weโ€™re a chatty society. We favor T-shirts with funny sayings and wall art with inspirational messages written on them. Itโ€™s only natural to want to add a similar touch to your fused glass art. But creating text thatโ€™s attractive and legible in glass is difficult because the medium is bulky.

Iโ€™ve been including words in my art for years. It takes extra effort, but Iโ€™m willing to put in the time when  the inclusion of a written message will strengthen the impact of my artwork. The techniques outlined here are fun, fast, and easy. Theyโ€™re great compliments for seasonal pieces, personalized gifts, and stylized art.

Letโ€™s get started.

Great Fall is a super fun project! The step-by-step tutorial and full size pattern are now available in the Fall 2023 issue of Glass Patterns Quarterly. I included it here because itโ€™s a terrific example of combining different methods in the same piece of art.

Great Fall

I wanted the word Great to be compact and graceful. I painted it on the glass with black Glassline outlining medium. After the paint dries, I go back and touch up the lettering to make the line width uniform. I use the point of a wooden toothpick or a razor knife to scrape the unwanted paint away.

When it came time to render the word Fall, I had a few ideas in mind. I could simply cut thin strips of glass or use noodles to write the word. Then it occurred to me that using colorful stringers would give me visual texture and look like sticks. This was the first time I tried that method and Iโ€™m really pleased with the results.

Welcome Fall

Welcome Fall is a video course Premium Video Members can enjoy and having access to this fun project with their membership.

Batty

Batty utilizes the cut glass method to include text. The balloon style lettering is easy to cut out of glass and the oversized word adds an additional splash of color to the simple design. This bouncy lettering style is well suited for short impactful words. The Batty pattern is in my eBook Fireworks.

Love

Love also uses the cut glass method to achieve lettering. Here the lettering is the design and so, bold bright colors are key to delivering the lively message. These straight letters are fast and easy to cut. Theyโ€™re a great choice for writing names. The Love how-to video and pattern eBook is available through my Premium Video Membership.   

Cookies for Santa

Cookies for Santa is a wonderful example of using frit to write intricate messages on your fused glass designs. Simply sift powder frit over the glass then write your words in the frit with a small paint brush or the eraser end of a pencil. For the best results, use high contrast colors and apply a thick layer of frit. Have fun with it! The Cookies for Santa pattern is in my eBook Fireworks.

Wish

Wish features delicate, whimsical lettering. The word is made by sifting powder frit, over a stencil. This easy technique is great for quick projects that call for intimate details. Hint, use more than one color frit to get a paintbrush stroke quality to the lettering. Also, use high contrast colors to ensure good readability. 

Wedding Heart

Wedding Heart is a little more complicated than the other techniques shown here. The advantage of using this method is itโ€™s extremely effective and the results are graceful and elegant. Here the lettering is handwritten in liquid platinum with a needle type applicator pen. These items are available from your art glass supplier. The liquid platinum is fired onto the glass in the kiln for a permanent finish. The lettering is fired face down, in contact with a primed ceramic kiln shelf. Tip, the lettering does not adhere well if fired on fiber paper. It comes out dull and blotchy instead of uniform and shiny.

The lettering on the front of the heart is written with a silver sharpie marker. Itโ€™s not permanent and will wash off if the glass gets wet. We used these hearts for seating markers at my daughterโ€™s wedding. They were memorable keepsakes and the guests loved them!

Including words in your projects is a fun way to ramp up the visual intricacy of your art.

Whether you keep it simple or combine multiple techniques youโ€™re sure to enjoy the process and the outcome. I hope you found this spotlight on easy ways to include lettering in your fused glass designs helpful. Now get writing!    

Watch the How to Include Words in Your Designs with Lisa Vogt video here.

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Happy Fusing!

Lisa & Niki

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5 Tips to Get into Your Creative Zone

Fire Storm

5 Tips to Get into Your Creative Zone

The creative zone is a wonderful place where new ideas are conceived, advanced techniques are tested, and innovative pieces of art are brought to life. In the creative zone time doesnโ€™t exist. Itโ€™s a beautiful realm full of wonder and surprise. Itโ€™s a place of magic we all want to visit. So, how do you produce the right environment to get to this artistโ€™s heaven on-demand? Here are some tricks to fast-track you to the zone.

1 Find your sweet spot.

Identify when you feel most productive creatively. Donโ€™t fight it. Not everyone is meant for a 9:00 to 5:00 workday. For me, my most fruitful hours are between 11:00 am and 7:00 pm. And, I like to work even later if Iโ€™ve gained momentum thatโ€™s getting projects in the kiln. My day starts a lot earlier than 11:00, but I like to work-out and clean a little before I get serious about glass work. Then, I can focus on arty tasks without distractions.

2 Free-play without a critic.

Play with your glass colors without a rigid plan. Allow your spontaneous artistic mind to wander and explore new ways to combine glass colors to make interesting blends. I pull scrap glass out and arrange it on the table in random color schemes. Then I mix them up to get even more unique design palates. This exercise is a process. Once youโ€™ve exhausted the routine combinations, itโ€™s amazing how new fresh ideas reveal themselves.

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3 Take a break.

Look outside for inspiration. Exciting original art is the product of artists who actively seek out stimuli to generate new ideas. Take a walk, go to the beach, the mountains, the zoo or the park. The exercise and fresh air nurtures your creative spirit and promotes action.

4 Sketch design ideas on paper.

You donโ€™t have to be good at drawing for this exercise to work. The process of doodling frees your mind and hushes the internal sensor that holds you back. Forge ahead. Be bold. The idea is to let the drawings come naturally. Youโ€™ll be pleasantly surprised how much this simple act empowers your artistic style. Try it!

5 Dedicate time to developing your art and your talent.

Commit to branching out and trying new techniques and methods that challenge your skills. In this uncharted territory youโ€™ll find renewed energy thatโ€™ll quickly translates into exciting new pieces of art.

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Excelling in your craft is the dream of every dedicated artist. The creative zone is where we find and fine tune our own personal style. Itโ€™s where we identify with ourselves and thatโ€™s what makes you the incredible artist you are.

You have an amazing talent, use it!

Be kind to yourself. Keep trying. Always, push ahead!

No matter where you are in your artistic journey, youโ€™re doing great!

Happy fusing!

Lisa & Niki

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