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How to Tack and Slump Small Accent Pieces to Embellish Fused Glass Art

Knowledge – Confidence – Inspiration

Are you ready to add a fun new twist to your fused glass pieces? The simple application of 3-D components can dramatically increase the visual allure of your work. And best of all, this easy technique presents endless possibilities for you to create exciting and flashy new designs.

When making these decorative butterflies I use a single layer of 2mm thick glass. Using thin material produces lightweight delicate looking accent pieces that complement the finished piece of art without overpowering it.

How to make these butterflies.

Download and print the butterfly pattern. Make a second copy of the pattern to cut up. Glue the cut paper pattern pieces on 2mm clear dichroic glass. I used a variety of different dichroic patterns.

The dichroic coating on the glass can go up or face down. I have some butterflies with the coating up and others with the coating down for added interest. I suggest you be consistent and keep the coating orientation the same on each individual butterfly.

Using the pattern as a guide, cut the butterfly wings out of 2mm clear dichroic glass. Cut as close to the pattern as possible to achieve the most accurate shape. Use grozing pliers to remove any excess glass and clean up the edges.

Tip: I try not to grind dichroic glass as it chips the coating around the edge.

Use the pattern as a guide to cut the butterfly bodies out if 2mm dichroic on black glass.

Itโ€™s easy to find new uses for these winged beauties once theyโ€™re made. I suggest you make more than you plan to use, then great new ideas will definitely come to mind.

Assemble and tack fuse the butterflies.

Lay the butterfly wings out on a primed or fiber paper lined kiln shelf with the wing tips touching. Place the butterfly body on top so it overlaps the wings. Place the individual butterflies about ยฝ inch apart so they donโ€™t stick to each other. Fire the glass to a tack fuse temperate using the guide provided below.

Tip: Tack Fuse. At this temperature the glass is heated enough to polish the edges and stick together without distorting the shape.

Slump the assembles butterflies.

Carefully center each assembled butterfly in a round 5 inch ceramic slumping mold. You can substitute another mold if needed. Fire the kiln to the slump temperature using the guide provided below.

Tip: Slump. At this temperature the glass is heated enough to conform to the shape of the mold it rests on without shrinking.

Carefully, unload the kiln and enjoy your light and airy butterflies. Glue them on a piece of art with E6000 or other clear adhesive.

Let your imagination run wild, get carried away with fun ways to use these glistening garden friends.  

The story behind the sculpture titled, Flourishing.

A few years ago, I was in my glass studio day and night deep in the creative zone. I was making project after project for new instructional videos. When Iโ€™m in a whirl wind of producing I allow myself to wander outside my usual artistic boundaries to explore. On this one occasion my adventures produced a brightly colored, wildly active free flow. The resulting fused glass sheet had energetic movement and quiet chaos. Strangely, the piece spoke to me even though it was made with colors outside my personal color palette. I fell in love with the glass because it was a surprise whose unique radiance felt like home. I imagined the enthusiastic glass represented what my overactive mind would look like if we could take a peek inside.

My first and only self-portrait.

Right away, I knew how to use the glass. I drew a pattern from a photograph of my profile that included my wild hair. It took three wet saws, some grinding, and a lot of patience to cut the intricate outer shape. But I was determined to get it just right.

I then fire polished the cut glass to make the edge uniform and shiny. The custom stand is made from  clear glass with clear glass rods glued to the bottom. The simple stand gives the artwork a lift that allows light to pass through and illuminate the whimsical design. Then I made the butterflies and glued them in place, so they appear to be gracefully floating in space.  

What this artwork means to me.

The vibrant spiraling colors represent the ideas continually flowing through my mind. The butterflies represent the ideas being set free to become new artistic creations.

You can learn how to make your own self portrait in my Sculptural Fused Glass Video.

Whatโ€™s Free Flow?

Free flow is a technique I developed to make my own sheets of fused glass with custom color mixes.

You can learn how to make your own in my Go with the Flow video.   

For More Firing Guides Check out my FREE Tech Docs

Happy Fusing!

Lisa

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Advanced Design-How to Create Impressive Backgrounds

When I open myself to inspiration and begin the design process for a new piece of art, my first consideration is the focal point. I ask myself, what key element do I want to include to drive the design direction? Once Iโ€™ve established the subject matter, I wonder, what can I do to enhance my focal point to  make my composition stronger?

I then imagine my subject in different settings. I tap into my mood that day? Do I envision my design going in a geometric direction with complex shapes or do I feel like building a tropical scene with lush foliage? Once I decide my path, I plan the best way to reach my destination.

Creating the subject is easy.

I know from the start what I want to make, so I begin construction with that. When it comes to establishing a background that creates a relevant setting for the subject, I have several fabrication options. I can surround the subject with a decorative border, leaves, or any other related shape. I select design elements that complement my subject and support my design vision. This type of design style is literal. The objects are recognizable and translate the artistโ€™s intention easily, which is great.

But sometimes I feel my design would benefit from a more subtle approach to the background. In that case, I create an entirely different complimentary design on the base layer. Itโ€™s fun, easy and an  extremely effective way to enhance a simple pattern. In effect, the base layer is no longer just mass or a platform to build on. With this easy to apply technique the base layer now offers the clever artist an opportunity to create a more intricate design with greater depth.      

Daisy Dish is a great example of the beauty of this multi-layer design technique. By applying this technique, we introduce color, create pattern, and present a lush setting in just a few easy steps.

How itโ€™s done.

This project is made with two design layers. The base layer is white. We sifted pastel powder frit over stencils to create a botanical background. The second clear layer is placed on top. Daisy flower petals are then arranged on a clear layer. The white flowers are detailed with yellow frit. Building this way, with parts of the design separated by the clear layer produces cool shadows and a greater sense of depth. This innovative technique has a lot of potential. Itโ€™s prefect for creative experimentation that ultimately illuminates pathways to exciting new design ideas.

Daisy Dish is the newest addition to my Premium Video Membership course. Members can assess this tutorial with their membership. Join today to enjoy this lovely project along with 16 other exciting, advanced glass fusing project videos and complimentary printable pattern eBooks.

Wherever you are on your journey youโ€™re doing great! Enjoy the journey. The destination will take care of itself.    

Watch the video here.

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Happy Fusing!

Lisa & Niki

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How to Be Take Seriously as an Artist

Itโ€™s Not a Hobby!

To this day, after 45 years as a teaching professional, people still donโ€™t take my job seriously. They think because I call myself an artist, I donโ€™t actually do any real work. Recently a distant aunt said, โ€œItโ€™s so nice youโ€™re doing something with your hobby.โ€ Sheโ€™s old, she meant well, and she lives far away. She doesnโ€™t get it. I understand. But I still felt compelled to validate my career choice by rattling off the numerous tasks I do to keep my business going and my career relevant.ย ย 

Iโ€™m guessing a lot of you have experienced the, deer in the headlight look from someone after revealing that youโ€™re an artist. โ€œOh. Thatโ€™s cool,โ€ they say. Then they panic and look for the easiest escape route. Then, while youโ€™re punching your password, they ditch you before you can prove your worth with the pictures stored on your phone. I get you. 

Weโ€™re artists. Weโ€™re proud. Weโ€™re a strong, viable community. And we work hard. 

Just because we love what we do doesnโ€™t mean weโ€™re not business minded. Our attitude about our trade is just more abstract. 

With our plight in mind, Iโ€™ve compiled some tips you might use to assert your profession.  

5 Tips: How to be Taken Serious as an Artist 

1 Wear flamboyant clothes. Billowy and bright make the best statement. Finding flashy garb is easy. Head to the back of the store; itโ€™s hanging on the deep, deep discount rack.  

2 Think like an indecisive squirrel crossing the road.In conversation, donโ€™t be shy. Speak your creative ideas and random thoughts freely, uncensored. Having two sentences follow the same train of thought is for geeks. (No offense to geeks; I respect their straightforward approach to fixing my computer.)  

3 Have crazy hair. The wilder the better. Let it go. Give your straight iron to your accountant. 

4 Explain to friends, in detail the deeper meaning of a wet lump of clay. 

5 Surround yourself with original art that speaks to you. Donโ€™t fall prey to mainstream home decor picked by an interior designer from a catalog for the masses. If you really want to make a statement and show how invested you are to your profession, display your own colorful art with pride.  

You got this!

Happy Fusing!

Lisa

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Have a Heart

Dichroic Heart Trio by Lisa Vogt

How to Make a Hanging Dichroic Heart Trio

With Valentineโ€™s Day right around the corner, I thought Iโ€™d share a new heart design idea. This dichroic dazzler is made with a fun variety of fusible materials that I had in my studio. Itโ€™s fast and easy to make.

Hearts are the universal symbol of love. Because I love glass fusing, the heart is a pattern I enjoy repeating often to bring unique beauty to an old favorite.

The wonderful thing about this simple, easily recognizable shape is it can be made using a variety of fusing techniques and always promises spectacular results.

Day to shine.

Take my lead. Search your studio for small, colorful scraps of fusible glass left behind to shine another day. Collect cut offs and odd pieces you knew would come in handy. The beauty of this project is it transforms mismatched leftovers into sparkling, hanging pieces of art.

I gathered miscellaneous fusible materials that I knew would bring attention to my design. I used dichroic pinwheels for my anchor design details. The delicate circular patterns add visual interest and sparkle to the design. Dichroic Firestrips add flash and playful diagonal lines. The twisted cane adds striking color and a three-dimensional quality to the bouncy grouping. The characteristic round shape of the murrini adds structure and direction that encourages the viewer to interact with the assorted materials.

How-to assemble.

Cut the base glass shape out of clear glass. Grind the glass to improve the shape and remove any sharp edges. Clean the clear glass before stacking glass on top. Select your anchor design details. These are the flashy accents that make this piece unique. Arrange the anchor pieces on the clear glass base. Glue them down with fuserโ€™s glue. I use Elmerโ€™s White School Glue. I apply the smallest amount of glue possible with the tip of a toothpick.

Design tips for pro quality results.

Attention to detail matters. Cut or nip small glass pieces to fill in the background. Layout the pieces with purpose to give the art structure and create design continuity. Donโ€™t just dump scrap on top. Plan the background design with care. Make curved patterns, stripes, or rows of dots. This is key if you want a polished piece and not a messy mosaic.  

Fill in as much of the background as possible. This type of assembly delivers consistent project thickness and uniform edge quality after fusing.

Hanging Made Easy

Handy Hangers are a great quick solution for making hanging fused glass art. Theyโ€™re compact and strong. Just tuck the hangers between glass layers leaving the loop accessible. Fuse the glass project as usual.

Link the three hearts together with wire rings or string. Tie a string to the top loop and hang your beautifully crafted art with pride and confidence.  

Happy Fusing!

Lisa & Niki

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Holiday Cheer is a Warm Kiln

Christmas is almost here!

If youโ€™re lucky, you have already made or purchased gifts for your family and friends. If not, Iโ€™m sure youโ€™re busy preparing for your holiday get togethers. With that in mind, Iโ€™m sharing a bright, wintery project to usher your creative spirit into the new year. This way, when the time comes to get back to your studio youโ€™ll have a fun, easy project waiting for you to enjoy.  

Cardinals are a bright, cheerful sight in the peaceful winter months.

This colorful little fellow will bring joy to your home all season long. And youโ€™ll love how fast and easy this delightful project is to make. 

Letโ€™s get started.

Detailed projects like this one are easier to make if you work from a pattern. Preparing the pattern may seem tedious, but the increase in accuracy and fit really improve the overall quality of your finished project. Plus, patterns make more elaborate designs manageable, so even the most intricate design is still fun to build.

Make two copies of the pattern and then number the patterns. (Timesaver Tip: Number the pattern before making the copy. Donโ€™t be like me and forget to do it before heading to the glass studio ๐Ÿ™‚

To maintain consistency in the thickness of the finished art, this freeform shaped project is made with two layers of glass. Using the pattern as a guide, cut the base layer out of clear glass. Cut the oval shape first. Then cut clear pieces for the tips of the pine needles that extend outside the oval shape. Cutting these little pieces, and adding this extra step, ensures that the narrow pine needles will keep their shape during firing. Without the clear base, theyโ€™ll shrink disproportionality to the rest of the project and be fragile after fusing.

Now that the base is cut, letโ€™s move on to the second layer. Cut blue glass for the sky to the same shape and size as the clear oval base. Grind the cut glass to remove any sharp edges and improve the shape.

Use scissors to cut one paper pattern into the freeform shape. Draw a line around the pattern on a primed kiln shelf, or on a fiber paper lined shelf. Arrange the clear base pieces on the shelf inside the pencil line.

Set the shelf and assembled glass aside.

Here comes the fun part, cutting the pine needles and cardinal. Cut the pattern up. Glue the pine needle pieces on green glass with a glue stick. Cut around the pieces, cutting them as close as possible to the edge without running into the paper. Remove the excess glass with pliers.

Glue the cardinal pattern pieces to red glass. Cut the cardinal out. Grind the cut glass to improve the shape and the fit of the pieces. Remove the wet pattern from the ground glass. Clean and dry the glass with a towel. Arrange the bird and pine needles on the spare pattern and set aside.

For a fun added detail, use a paper punch to make snowflake shaped flurries. Press the snowflakes out of Thinfire fiber paper. Scatter the snowflakes on the clear base. Stack the blue on top sealing the snowflakes between the layers. (FYI: I have not tried this encasing technique with other fiber papers. If you use a different paper your results may vary.)  

Using the paper pattern and pencil line as a guide, stack the pine needles and cardinal on the glass. Hold the pieces in place with a small amount of fuserโ€™s glue. This keeps the pieces from moving when you carry the kiln shelf and glass to the kiln. Spoon white frit on the pine needles to represent snow. Use a small paint brush to clean up the top edge of the snow. Sprinkle a little white frit on the blue sky. For a little sparkle, place white dichroic frit on top of the snow and on the sky.

Fire the assembled glass to a full fuse temperature using the guide available on my website.

I love the crisp, vibrant colors of the finished piece and the extra detail the encased fiber paper gives the sky. The Thinfire shrunk lightly during firing and left a delicate star shaped, snowflake pattern in the background. The sparkly dichroic frit adds a little magic to this winter wonderland. 

This season when youโ€™re feeling the icy chill of cold winter days, create your own warmth. Snuggle up to your kiln and make this cheery Cardinal and Pine Tree.  

This pattern is just one of many seasonal delights you can make in the book Home for the Holidays now available as a download on my website.

Watch the Cardinal in Pine Tree video here.

Happy fusing!

Lisaย & Niki

I hope youโ€™re having a wonderful holiday season enjoying family and friends and time cozying up to your kiln.

Wishing you a happy & healthy holiday season!

Cheers!

Lisa & Niki

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